{"id":8340,"date":"2021-06-23T00:00:04","date_gmt":"2021-06-23T04:00:04","guid":{"rendered":"https:\/\/magazineampm.com\/?p=8340"},"modified":"2021-06-23T20:42:10","modified_gmt":"2021-06-24T00:42:10","slug":"el-mejor-concierto-de-tu-vida-volumen-i-mis-amigues","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/el-mejor-concierto-de-tu-vida-volumen-i-mis-amigues\/","title":{"rendered":"The best concert of your life. Volume I: My friends"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">On January 15, 2020, my friends and I attended, without knowing it, one of the best concerts of our lives. Only one of us knew what the band that would take the stage of the Cuban Art Factory in minutes sounded like. I really knew it: I had been listening to them for months, trembling with the powerful voice of Tarriona <\/span><i><span style=\"font-weight: 400;\">Tank<\/span><\/i><span style=\"font-weight: 400;\"> Ball and the mixture of funk and rock and hip hop that accompanies The Bangas. But neither she, nor the others, were prepared for the tsunami that would sweep us away from the first notes, to spend the night looking at each other in bewilderment, letting ourselves be carried away by the mob from Nave 4 that jumped and screamed madly with that show out of another world: New Orleans.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Almost a year and a half has passed since we last saw live music. Since we moved emotions to a screen, to Telegram voice chat, and improvised mini-presentations on the balconies with those two who can play music on a guitar, or sing on top of a <\/span><i><span style=\"font-weight: 400;\">background<\/span><\/i><span style=\"font-weight: 400;\"> any.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">That nostalgia, which sometimes turns into physical pain, led me to ask a group of close friends what the favorite Cuban music concert of their lives has been. They were all disciplined and did the exercise of searching their memory, comparing and decanting. The reasons are as diverse as my friends, and they are all valid and beautiful.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I start:<\/span><\/p>\n<p><b>Sliding Gem \/ House of the Americas \/ 2016<\/b><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" style=\"border: none; overflow: hidden;\" src=\"https:\/\/www.facebook.com\/plugins\/video.php?height=314&amp;href=https%3A%2F%2Fwww.facebook.com%2FYissyGarcia%2Fvideos%2F1069843019770633%2F&amp;show_text=false&amp;width=560&amp;t=0\" width=\"560\" height=\"314\" frameborder=\"0\" scrolling=\"no\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: left;\"><span style=\"font-weight: 400;\">It was raining like never before. People entered the Che Guevara Hall dripping, and settled in any corner of the corridors, on the floor, at the end. The concert had been delayed because Julio C\u00e9sar Gonz\u00e1lez, the bassist, had not been able to arrive. It was the first time I would see Gema Corredera live and I was heartbroken in those days, for a change. I remember when he came out singing <\/span><i><span style=\"font-weight: 400;\">beyond the music<\/span><\/i><span style=\"font-weight: 400;\">, with no other accompaniment than the breathing of the hundreds who were on this side of the stage. I remember Marta Vald\u00e9s sitting in the front row and Gema getting emotional when she discovered a very young girl in the audience singing <\/span><i><span style=\"font-weight: 400;\">Jos\u00e9 Jacinto<\/span><\/i><span style=\"font-weight: 400;\">. I remember that at one point he said: I don&#039;t think there&#039;s anyone sad here tonight, but hey, &quot;If loneliness makes your soul sick...&quot;. Now, I don&#039;t remember anything more than my crying until the end, overshadowed by Gema&#039;s voice. The most beautiful voice he had ever heard in his life.\u00a0<\/span><\/p>\n<p><b>Chucho Vald\u00e9s and The Afro Cuban Messengers \/ Amadeo Rold\u00e1n Theater \/ 2010<\/b><\/p>\n<p><span style=\"font-weight: 400;\">It is curious how the springs of memory work. I thought it had been in 2007, but no, that was another, although the protagonist was the same. The one in my head was in 2010, in May, at that time when I was listening to jazz with the passion of a convert, and I was chasing the concerts of <a href=\"https:\/\/magazineampm.com\/en\/chucho-valdes-sobre-bebo-maestro-padre-amigo-entrevista\/\">Chucho Vald\u00e9s<\/a> with the energy that you only have at 20 years old. Chucho appeared at the Amadeo Rold\u00e1n Theater as part of the Chopin Year actions and to celebrate 40 years since the presentation of his <\/span><i><span style=\"font-weight: 400;\">Misa Negra<\/span><\/i><span style=\"font-weight: 400;\"> at the Polish Jamboree Festival. At 69, Chucho kept his energy and genius intact. In the same night, he demonstrated to the attendees the contemporaneity of Chopin&#039;s style, he left us with his <\/span><i><span style=\"font-weight: 400;\">Misa Negra<\/span><\/i><span style=\"font-weight: 400;\"> as stunned as the world was when he discovered him in 1970, and he presented his new project at the time, the Afro Cuban Messengers, with which he reinvented himself at an age when most people live off their past successes. We didn&#039;t know it then, but it would be the last big concert at the Amadeo before it closed its doors again. A decade later we have no choice but to dream of ghosts.<\/span><b> (Rafa G. Escalona)<\/b><\/p>\n<p><b>Harryson \/ The Sidewalk \/ 2018<\/b><\/p>\n<div id=\"attachment_8347\" style=\"width: 536px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8347\" data-attachment-id=\"8347\" data-permalink=\"https:\/\/magazineampm.com\/en\/el-mejor-concierto-de-tu-vida-volumen-i-mis-amigues\/harryson\/\" data-orig-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Harryson.jpg?fit=526%2C681&amp;ssl=1\" data-orig-size=\"526,681\" data-comments-opened=\"1\" data-image-title=\"Harryson\" data-image-description=\"&lt;p&gt;Flyer promocional del concierto de Harryson en La Vereda.&lt;\/p&gt;\" data-image-caption=\"&lt;p&gt;Flyer promocional del concierto de Harryson en La Vereda.&lt;\/p&gt;\" data-large-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Harryson.jpg?fit=526%2C681&amp;ssl=1\" class=\"size-full wp-image-8347\" src=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Harryson.jpg?resize=526%2C681\" alt=\"Flyer promocional del concierto de Harryson en La Vereda.\" width=\"526\" height=\"681\" srcset=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Harryson.jpg?w=526&amp;ssl=1 526w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Harryson.jpg?resize=294%2C380&amp;ssl=1 294w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Harryson.jpg?resize=135%2C175&amp;ssl=1 135w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Harryson.jpg?resize=9%2C12&amp;ssl=1 9w\" sizes=\"auto, (max-width: 526px) 100vw, 526px\" \/><p id=\"caption-attachment-8347\" class=\"wp-caption-text\">Promotional flyer for Harryson&#039;s concert at La Vereda.<\/p><\/div>\n<p><span style=\"font-weight: 400;\">It was in April 2018 at La Vereda, an open-air nightclub in La Lisa. I was going as press, so I saw the concert sitting on the steps of the stage. The artists asked me for permission to upload. Then I leaned against the speaker, near the audio one. Downstairs there were I don&#039;t know how many people. The lights did not let me see well, but easy there were thousands. Los At\u00f3mikos danced and Los Cient\u00edfikos and Los otros sang. Then Harryson came up. People almost go crazy. I was already downloading his songs, but what I was doing until then was rather study them, not enjoy them. Harry premiered album, <\/span><i><span style=\"font-weight: 400;\">Plan B<\/span><\/i><span style=\"font-weight: 400;\">. The people downstairs knew the premieres, I don&#039;t know how. He sang songs that I did know, the ones they call classics. At some point in the morning a couple of fights broke out and at some point in the morning I danced on a brick so that they would not see me and at some point in the morning I bristled with the music. It was my first cast concert. When I began to understand it and understand what it brings and where it comes from. It was the day I got hooked. <\/span><b>(Jesus Jank Curbelo)<\/b><\/p>\n<p><b>Telmary &amp; Habana Sana \/ Bertolt Brecht Cultural Center \/ 2019<\/b><\/p>\n<div id=\"attachment_8348\" style=\"width: 970px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8348\" data-attachment-id=\"8348\" data-permalink=\"https:\/\/magazineampm.com\/en\/el-mejor-concierto-de-tu-vida-volumen-i-mis-amigues\/telmary\/\" data-orig-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Telmary.jpg?fit=960%2C640&amp;ssl=1\" data-orig-size=\"960,640\" data-comments-opened=\"1\" data-image-title=\"Telmary\" data-image-description=\"&lt;p&gt;Flyer promocional de Telmary &amp;#038; Habana Sana en el Centro Cultural Bertolt Brecht. &lt;\/p&gt;\" data-image-caption=\"&lt;p&gt;Flyer promocional de Telmary &amp;#038; Habana Sana en el Centro Cultural Bertolt Brecht. &lt;\/p&gt;\" data-large-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Telmary.jpg?fit=960%2C640&amp;ssl=1\" class=\"size-full wp-image-8348\" src=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Telmary.jpg?resize=960%2C640\" alt=\"Flyer promocional de Telmary &amp; Habana Sana en el Centro Cultural Bertolt Brecht. \" width=\"960\" height=\"640\" srcset=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Telmary.jpg?w=960&amp;ssl=1 960w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Telmary.jpg?resize=570%2C380&amp;ssl=1 570w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Telmary.jpg?resize=263%2C175&amp;ssl=1 263w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Telmary.jpg?resize=768%2C512&amp;ssl=1 768w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Telmary.jpg?resize=16%2C12&amp;ssl=1 16w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><p id=\"caption-attachment-8348\" class=\"wp-caption-text\">Promotional flyer for Telmary &amp; Habana Sana at the Bertolt Brecht Cultural Center.<\/p><\/div>\n<p><span style=\"font-weight: 400;\">I especially remember that concert because that night I felt and knew how I would like a group of mine to sound one day: the whole band as a single instrument, including <a href=\"https:\/\/magazineampm.com\/en\/la-noche-alternativa-habanera-tiene-una-diosa-telmary\/\">Telmary<\/a>, the choristers, the guitarists, the congas, everyone. I was blown away by how compact the sound was. There wasn&#039;t an extra note, a note in the air like when a song ends and someone starts playing. It was exactly the number of notes that the songs had, and placed where they go. I have not been able to forget that experience. <\/span><b>(Martin Moya Fernandez)<\/b><\/p>\n<p><b>Havana Septet \/ Vladimir Ilich Lenin Vocational School \/ 1996<\/b><\/p>\n<div id=\"attachment_8344\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8344\" data-attachment-id=\"8344\" data-permalink=\"https:\/\/magazineampm.com\/en\/el-mejor-concierto-de-tu-vida-volumen-i-mis-amigues\/septeto-habanero-1999\/\" data-orig-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/septeto-habanero-1999.jpg?fit=1024%2C674&amp;ssl=1\" data-orig-size=\"1024,674\" data-comments-opened=\"1\" data-image-title=\"septeto habanero 1999\" data-image-description=\"&lt;p&gt;Septeto Habanero. Foto: Cortes\u00eda de la banda. &lt;\/p&gt;\" data-image-caption=\"&lt;p&gt;Septeto Habanero. Foto: Cortes\u00eda de la banda. &lt;\/p&gt;\" data-large-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/septeto-habanero-1999.jpg?fit=960%2C632&amp;ssl=1\" class=\"size-full wp-image-8344\" src=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/septeto-habanero-1999.jpg?resize=1024%2C674\" alt=\"Septeto Habanero. Foto: Cortes\u00eda de la banda. \" width=\"1024\" height=\"674\" srcset=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/septeto-habanero-1999.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/septeto-habanero-1999.jpg?resize=577%2C380&amp;ssl=1 577w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/septeto-habanero-1999.jpg?resize=266%2C175&amp;ssl=1 266w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/septeto-habanero-1999.jpg?resize=768%2C506&amp;ssl=1 768w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/septeto-habanero-1999.jpg?resize=16%2C12&amp;ssl=1 16w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><p id=\"caption-attachment-8344\" class=\"wp-caption-text\">Havana Septet. Photo: Courtesy of the group.<\/p><\/div>\n<p><span style=\"font-weight: 400;\">Vladimir Ilich Lenin Vocational School, December 1996, temporary shelter for delegates to the IV Anir Congress. We are on an exceptional vacation. A few of us \u201csuicides\u201d remain at the school as volunteers. They tell us that live music is going to be guaranteed. Objective: to persecute the orchestras of the moment. In the plaza of Unit No.1, seven mature men display their instrumentation, as exotic as it is meager. It&#039;s not what we expected. I wait for the first measure and the key, looking for a minimum of empathy. The seven sound. I cannot avoid the strangeness. The general timbre is serious; guttural voices. Leather, wood and metal are round and heavy, they blend together. The air is thick. I take my time. There is something in this that belongs to me. I just discovered Septeto Habanero. <\/span><b>(Rafael Valdivia)<\/b><\/p>\n<p><b>X Alfonso \/ Tomas Terry Theater \/ 2010<\/b><\/p>\n<div id=\"attachment_8349\" style=\"width: 590px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8349\" data-attachment-id=\"8349\" data-permalink=\"https:\/\/magazineampm.com\/en\/el-mejor-concierto-de-tu-vida-volumen-i-mis-amigues\/x-alfonso-en-cienfuegos\/\" data-orig-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/X-Alfonso-en-Cienfuegos.jpg?fit=580%2C371&amp;ssl=1\" data-orig-size=\"580,371\" data-comments-opened=\"1\" data-image-title=\"X Alfonso en Cienfuegos\" data-image-description=\"&lt;p&gt;X Alfonso en el Teatro Tom\u00e1s Terry . Foto: Modesto Guti\u00e9rrez Cabo\/ AIN&lt;\/p&gt;\" data-image-caption=\"&lt;p&gt;X Alfonso en el Teatro Tom\u00e1s Terry . Foto: Modesto Guti\u00e9rrez Cabo\/ AIN&lt;\/p&gt;\" data-large-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/X-Alfonso-en-Cienfuegos.jpg?fit=580%2C371&amp;ssl=1\" class=\"size-full wp-image-8349\" src=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/X-Alfonso-en-Cienfuegos.jpg?resize=580%2C371\" alt=\"X Alfonso en el Teatro Tom\u00e1s Terry . Foto: Modesto Guti\u00e9rrez Cabo\/ AIN\" width=\"580\" height=\"371\" srcset=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/X-Alfonso-en-Cienfuegos.jpg?w=580&amp;ssl=1 580w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/X-Alfonso-en-Cienfuegos.jpg?resize=274%2C175&amp;ssl=1 274w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/X-Alfonso-en-Cienfuegos.jpg?resize=16%2C10&amp;ssl=1 16w\" sizes=\"auto, (max-width: 580px) 100vw, 580px\" \/><p id=\"caption-attachment-8349\" class=\"wp-caption-text\">X Alfonso at the Tom\u00e1s Terry Theater. Photo: Modesto Guti\u00e9rrez Cabo\/ AIN<\/p><\/div>\n<p><span style=\"font-weight: 400;\">If there is something in the world that can, every time, provoke me and restart me, it is music. The relationship I establish with her is purely emotional, not far from the link with other centers of pleasure, such as sex or food. I recognize that there have been very few live concerts that have managed to leave that mark; only a few survive <\/span><i><span style=\"font-weight: 400;\">loop<\/span><\/i><span style=\"font-weight: 400;\"> dedicated to \u201cthe best concerts of life\u201d. the of <a href=\"https:\/\/magazineampm.com\/en\/la-era-inside-x-alfonso\/\">X Alfonso<\/a>, in February 2010 at the Tom\u00e1s Terry Theater in Cienfuegos is, without a doubt, in my top spot and, to be honest, I can hardly remember what musicians accompanied it or what song it opened with. I remember, yes, the euphoria, the wonder of a band exploding on stage; the corridors of the theater full, the friends scattered on the floor, the jumps, the choirs, <\/span><i><span style=\"font-weight: 400;\">sands of solitude<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">Santa<\/span><\/i><span style=\"font-weight: 400;\">,\u00a0 <\/span><i><span style=\"font-weight: 400;\">Revolution<\/span><\/i><span style=\"font-weight: 400;\">\u2026 The music of my generation, live, in my city, with my people, when we were all together. X, with that ability to destroy and put pressure on a closed sound, which had been telling what we all wanted to say. After the show I stayed up all night. I couldn&#039;t sleep; and if that&#039;s not one of the most powerful reasons there is to love a concert, and specifically, music, I don&#039;t know anything anymore. <\/span><b>(Lourdes Elena Garcia Bereau)<\/b><\/p>\n<p><b>Synthesis \/ Payret Cinema \/ 199?<\/b><\/p>\n<div id=\"attachment_8352\" style=\"width: 1034px\" class=\"wp-caption alignnone\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8352\" data-attachment-id=\"8352\" data-permalink=\"https:\/\/magazineampm.com\/en\/el-mejor-concierto-de-tu-vida-volumen-i-mis-amigues\/sintesis-1992-ok\/\" data-orig-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/SINTESIS-1992-ok.jpg?fit=1024%2C713&amp;ssl=1\" data-orig-size=\"1024,713\" data-comments-opened=\"1\" data-image-title=\"SINTESIS 1992 ok\" data-image-description=\"&lt;p&gt;Formaci\u00f3n de S\u00edntesis en la etapa del Cine Payret. Foto: Cortes\u00eda de la banda. &lt;\/p&gt;\" data-image-caption=\"&lt;p&gt;Formaci\u00f3n de S\u00edntesis en la etapa del Cine Payret. Foto: Cortes\u00eda de la banda. &lt;\/p&gt;\" data-large-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/SINTESIS-1992-ok.jpg?fit=960%2C668&amp;ssl=1\" class=\"size-full wp-image-8352\" src=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/SINTESIS-1992-ok.jpg?resize=1024%2C713\" alt=\"Formaci\u00f3n de S\u00edntesis en la etapa del Cine Payret. Foto: Cortes\u00eda de la banda. \" width=\"1024\" height=\"713\" srcset=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/SINTESIS-1992-ok.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/SINTESIS-1992-ok.jpg?resize=546%2C380&amp;ssl=1 546w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/SINTESIS-1992-ok.jpg?resize=251%2C175&amp;ssl=1 251w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/SINTESIS-1992-ok.jpg?resize=768%2C535&amp;ssl=1 768w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/SINTESIS-1992-ok.jpg?resize=16%2C12&amp;ssl=1 16w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><p id=\"caption-attachment-8352\" class=\"wp-caption-text\">Formation of Synthesis in the Payret Cinema stage. Photo: Courtesy of the band.<\/p><\/div>\n<p><span style=\"font-weight: 400;\">Faced with the challenge of choosing a Cuban music concert that has marked me forever from among the hundreds that I have enjoyed at this point, I have beautiful flashes, but in my head (bear compassionately in mind that we are talking about 30 years ago) resonates as a unique concert the very powerful image of the S\u00edntesis group at the Payret Cinema, in front of the National Capitol. I know it was the early 90&#039;s; hard years, very hard. I call Ele Vald\u00e9s to tell me what concert that could be, what exact date, what was being fulfilled. Oh, surprise of forgetfulness... <a href=\"https:\/\/magazineampm.com\/en\/la-importancia-de-llamarse-sintesis-resena\/\">S\u00edntesis<\/a> he lived in the Payret and made this cinema his headquarters for four years (1991-1994) and every Saturday they played there. I, part of that audience of young zombies with only one meal a day in our famished bodies, and who, eager for spirituality and hope, overflowed the audience each time, must have been in many: similar, different, rituals, gregarious, boisterous and trembling. Impossible for her to know which one I mean and impossible for me to define THE concert \u2014in the singular\u2014 in my memory. But, when I sincerely try to evoke one \u2014from Cuban music\u2014 that stirred my insides until today, it is that one that emerges. <\/span><b>(Darsi Fernandez)<\/b><\/p>\n<p><b>Real Project \/ House of the Americas \/ 2018<\/b><\/p>\n<div id=\"attachment_8342\" style=\"width: 1034px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8342\" data-attachment-id=\"8342\" data-permalink=\"https:\/\/magazineampm.com\/en\/el-mejor-concierto-de-tu-vida-volumen-i-mis-amigues\/real-project-en-casa-de-las-americas_kako-escalona\/\" data-orig-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Real-Project-en-Casa-de-las-Americas_kako-escalona.jpg?fit=1024%2C768&amp;ssl=1\" data-orig-size=\"1024,768\" data-comments-opened=\"1\" data-image-title=\"Real Project en Casa de las Am\u00e9ricas_kako escalona\" data-image-description=\"&lt;p&gt;Concierto de Real Project en Casa de las Am\u00e9ricas. Foto: Kako Escalona. &lt;\/p&gt;\" data-image-caption=\"&lt;p&gt;Concierto de Real Project en Casa de las Am\u00e9ricas. Foto: Kako Escalona. &lt;\/p&gt;\" data-large-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Real-Project-en-Casa-de-las-Americas_kako-escalona.jpg?fit=960%2C720&amp;ssl=1\" class=\"size-full wp-image-8342\" src=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Real-Project-en-Casa-de-las-Americas_kako-escalona.jpg?resize=1024%2C768\" alt=\"Concierto de Real Project en Casa de las Am\u00e9ricas. Foto: Kako Escalona. \" width=\"1024\" height=\"768\" srcset=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Real-Project-en-Casa-de-las-Americas_kako-escalona.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Real-Project-en-Casa-de-las-Americas_kako-escalona.jpg?resize=507%2C380&amp;ssl=1 507w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Real-Project-en-Casa-de-las-Americas_kako-escalona.jpg?resize=233%2C175&amp;ssl=1 233w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Real-Project-en-Casa-de-las-Americas_kako-escalona.jpg?resize=768%2C576&amp;ssl=1 768w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Real-Project-en-Casa-de-las-Americas_kako-escalona.jpg?resize=16%2C12&amp;ssl=1 16w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><p id=\"caption-attachment-8342\" class=\"wp-caption-text\">Real Project concert at Casa de las Am\u00e9ricas. Photo: Kako Escalona.<\/p><\/div>\n<p><span style=\"font-weight: 400;\">When Diana asked what my favorite Cuban music concert was, \u201cin life\u201d, the first thing that jumped out at me was this\u2014and I trust my instincts a lot, so here it is. In July 2018 I made my debut as the organizer of the Casa Tomada project, in the mythical Casa de las Am\u00e9ricas, together with Camila Vald\u00e9s Le\u00f3n and Aimelys D\u00edaz; I had to conceptualize a program, invite young writers and artists from the continent, think about snacks, lunches, transportation, budgets. However, the biggest challenge was the closing concert. Any event worth its salt has a great show as a climax, but who would be that musician, music, what band would play in the Che Guevara Hall on Friday, July 20? The name of <a href=\"https:\/\/magazineampm.com\/en\/ges-por-real-project-al-principio-fue-experimentar\/\">Real Project<\/a> he jumped up. I remember that Ruly Herrera, Jorge Luis Lagarza, Roberto Luis G\u00f3mez and Rafael Aldama did not stop thanking for the opportunity; it was the first time that the band appeared on stage where some <\/span><i><span style=\"font-weight: 400;\">shows<\/span><\/i><span style=\"font-weight: 400;\"> region of. So they put everything into it: bestial solos by Aldama on bass; Roberto Luis experimenting with sounds and atmospheres, guitar through; the stratospheric connection between Yoyi and Ruly, keyboards and drums communicating, playing. People could see how much they enjoyed it. Pure energy that orbited between walls, Tree of Life, murals by Matta and Ra\u00fal Mart\u00ednez, which reached the public seated in seats that sometimes seemed unnecessary. The next day, a Saturday, Real Project would repeat a concert at the F\u00e1brica de Arte Cubano. I went to see them. It was not the same. How could I? <\/span><b>(Lorraine Sanchez)<\/b><\/p>\n<p><b>Liuba Mar\u00eda Hevia \/ National Theater \/ 2000<\/b><\/p>\n<p><span style=\"font-weight: 400;\">In the exercise of selecting one among the many concerts that have marked my life, I had some clear things: the first and most important, that I should look for a time when chance had not yet led me to work in music, because once inside the industry the experience is different, just as intense, but with other nuances. Since I produced my first show I have not looked at the stage with the same eyes again. So I went back to those years of absolute innocence, when magic seemed to me to be a thing for magicians and not for artists. It was my first concert <a href=\"https:\/\/magazineampm.com\/en\/disco-liuba-maria-hevia-canta-a-gabilondo-soler-resena\/\">Liuba<\/a>. He knew all his work, he had heard all his songs a thousand times, but it was the first time he would hear it live and, as if that were not enough, in the presentation of <\/span><i><span style=\"font-weight: 400;\">From the verse to the sea<\/span><\/i><span style=\"font-weight: 400;\">, an album that keeps some of my favorite pieces from his entire discography. I had prepared for it to be a memorable night. I remember that they gave us some candles at the door and that in the air you could breathe the care that they had put into every detail, the lights, the scenery, the program. I also remember my excitement throughout the show, and the laughter and the crying, and the moment when all the lights went out and the theater turned into a bunch of little flames lighting up from the seats... <\/span><b>(Yoana Grass)\u00a0<\/b><\/p>\n<p><b>Tribute to Santi Feli\u00fa \/ Cuban Art Factory \/ 2015<\/b><\/p>\n<p><span style=\"font-weight: 400;\">Time has passed and not an eagle by the sea, but life. \u201cAy, la vida!\u201d, as San Santi would say, the irreverent lefty, lazy and a half, joker who is still spending it on us, and very good. I don&#039;t remember, but I think it was that concert for the first anniversary of his most serious fucking with death, at FAC, where I spent the night taking photos by hand and foot because I was sure, completely sure, that he would appear in any moment behind the curtain with his guitar upside down, blowing the harmonica so as not to gagueo with laughter. I believed it so much that night that I&#039;m still waiting for it, because life is that shit that happens while we plan. <\/span><b>(Racso Morejon)<\/b><\/p>\n<p><b>X Alfonso \/ Mella Theater \/ 2005<\/b><\/p>\n<p><i><span style=\"font-weight: 400;\">Civilization<\/span><\/i><span style=\"font-weight: 400;\"> it is more than one of my memorable Cuban concerts. All the talent and energy of X Alfonso shook the Teatro Mella that night in 2005. I had the happy idea of giving my eight-year-old son the live experience of the songs that accompanied our daily lives. At the first chord, the entire audience was on their feet to vibrate with X, and my little boy stood up without permission on the seat so as not to miss any detail. We were an enraged audience, the balconies also overflowed. Impossible to be seated or immobile. We all chanted with impetus \u201cthis is my city\u201d, \u201cliving is the only thing I want\u201d, \u201cdog that barks\u201d, and so many other songs, while we sweated and laughed full. Together we discovered happiness in the enigma of music. Hundreds of voices in each gesture of X, a tireless dancing minstrel who moved between lights from guaguanc\u00f3 to rock, gifting magic. I was with my family that night, but not only with the brothers and nephews who sang, we were all from the same enchanted clan, a handful of chosen ones. That was not the first, but it was the inaugural memory of the complicity that I have lived until today with my children, in every chord of living Cuban music. We returned home happier, humming again and thankful for having come to that appointment. Time never lies, that is why today \u2014like a sustained note\u2014 that unique moment remains in our memory. <\/span><b>(Danay Ramos Ruiz)<\/b><\/p>\n<p><b>Alain P\u00e9rez \/ The Sauce \/ 2019<\/b><\/p>\n<div id=\"attachment_8350\" style=\"width: 523px\" class=\"wp-caption aligncenter\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-8350\" data-attachment-id=\"8350\" data-permalink=\"https:\/\/magazineampm.com\/en\/el-mejor-concierto-de-tu-vida-volumen-i-mis-amigues\/alain-perez-2\/\" data-orig-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Alain-Perez.jpg?fit=513%2C720&amp;ssl=1\" data-orig-size=\"513,720\" data-comments-opened=\"1\" data-image-title=\"Alain Perez\" data-image-description=\"&lt;p&gt;Flyer promocional del concierto de Alain P\u00e9rez en El Sauce. &lt;\/p&gt;\" data-image-caption=\"&lt;p&gt;Flyer promocional del concierto de Alain P\u00e9rez en El Sauce. &lt;\/p&gt;\" data-large-file=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Alain-Perez.jpg?fit=513%2C720&amp;ssl=1\" class=\"size-full wp-image-8350\" src=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Alain-Perez.jpg?resize=513%2C720\" alt=\"Flyer promocional del concierto de Alain P\u00e9rez en El Sauce. \" width=\"513\" height=\"720\" srcset=\"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Alain-Perez.jpg?w=513&amp;ssl=1 513w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Alain-Perez.jpg?resize=271%2C380&amp;ssl=1 271w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Alain-Perez.jpg?resize=125%2C175&amp;ssl=1 125w, https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/Alain-Perez.jpg?resize=9%2C12&amp;ssl=1 9w\" sizes=\"auto, (max-width: 513px) 100vw, 513px\" \/><p id=\"caption-attachment-8350\" class=\"wp-caption-text\">Promotional flyer for the Alain P\u00e9rez concert at El Sauce.<\/p><\/div>\n<p><span style=\"font-weight: 400;\">Its so much <\/span><i><span style=\"font-weight: 400;\">freaky<\/span><\/i><span style=\"font-weight: 400;\"> the history. We were at the Isa, and the beca overlooks the back of El Sauce, I think it was February 14 and the place was packed. We had little money and it was to buy alcohol (quantity before quality). We threw a stack of rifles over there on the side of the fence, and we were unloading on the concert from there, in shorts and flip-flops. When the note went up to us, we said: let&#039;s jump the fence and get in there! It was one of those concerts that Alain gave here after returning, and he was bursting the league. That was full of artists, people from the world of culture, all well dressed, and we jumped the fence from the back, through the bathrooms, and we gave watercress at the concert, which was really good. <\/span><b>(Nosley Exposito Salas)<\/b><\/p>\n<p><b>Oscar D&#039;Leon \/ Karl Marx \/ 1983<\/b><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/qtu6ubHPseM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">I&#039;ve liked salsa since high school, especially Rub\u00e9n Blades. When in 1983 it was announced that Oscar D&#039; Le\u00f3n would come to Havana, I was in tenth grade and at the height of my passion for popular dance music. Neither before nor after I was able to dance well, but I enjoyed those rhythms with an intensity that would surprise those who know me today. Attentive to what was broadcast by the Venezuelan, I came to have fifty-odd songs of his, painstakingly recorded on my Sony cassette deck (mono). When it was announced that he would come to play in Cuba, it was as if God came down to earth. I managed to buy two tickets and thought a lot about who to invite. Overcoming a shyness that has been erasing me, I invited the most beautiful girl in the classroom \u2014the one who would never have gone out with me\u2014 and she accepted. I remember my deep impression before the enormous creative and energetic dedication of Oscar D&#039; Le\u00f3n. That night he was able to bring five thousand people to a paroxysm, with the incomparable beauty of his music, the powerful sound of the band and his unique personality. <\/span><b>(Pepe Menendez)<\/b><\/p>","protected":false},"excerpt":{"rendered":"<p>Almost a year and a half has passed since we last saw live music. That nostalgia led me to ask a group of close friends what the favorite Cuban music concert of their lives has been. They were all disciplined and did the exercise of searching their memory. The reasons are as diverse as my friends, and they are all valid and beautiful.<\/p>","protected":false},"author":18,"featured_media":8341,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1766],"tags":[13,462,98,1099,7961,5551,8416,66,293,8415,1142,5771,8414,101],"coauthors":[163],"class_list":["post-8340","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-articulos","tag-alain-perez","tag-chucho-valdes","tag-conciertos","tag-gema-corredera","tag-harryson","tag-liuba-maria-hevia","tag-oscar-d-leon","tag-real-project","tag-santiago-feliu","tag-septeto-habanero","tag-sintesis","tag-tank-and-the-bangas","tag-telmary-habana-sana","tag-x-alfonso"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2021\/06\/concierto-de-tu-vida_cuervo_web-baja.jpg?fit=1520%2C695&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/8340","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/18"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=8340"}],"version-history":[{"count":0,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/8340\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/8341"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=8340"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=8340"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=8340"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=8340"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}