{"id":4725,"date":"2020-01-10T00:00:30","date_gmt":"2020-01-10T05:00:30","guid":{"rendered":"https:\/\/magazineampm.com\/?p=4725"},"modified":"2022-03-22T19:34:47","modified_gmt":"2022-03-22T23:34:47","slug":"dando-la-nota-espuma-y-arena","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/dando-la-nota-espuma-y-arena\/","title":{"rendered":"foam and sand"},"content":{"rendered":"

Very dear buyer:<\/p>\n

Difficult has been the task of making discs to the design of Gory and Rub\u00e9n, but I have always aspired to record designs. I consider that a design earns a lot when, also, it carries a disk. But not because it is a compliment we will stop expressing something of this L.P. The best that is usually found in a longplay<\/i> (I mean the quality of the board) tends to be the worst. From the musicological point of view, it supposes. OKAY? Which amounts to thinking that inevitably something they will say, preferably regular. Either way, I will feel in debt.<\/p>\n

\"Interior

Interior of the album Espuma y arena, by Pedro Luis Ferrer. Design: Gory and Rub\u00e9n Torres<\/p><\/div>\n

The fundamental objective that I set when undertaking the parallel disk (I have been working simultaneously on the conception of the next one) was to solve some economic problems and thus be presentable, which will allow me a better projection in the aesthetic field. Some tell me \"I see you more on the line\", but I know that it has rather made your eyes fat or those of thin eyes become.<\/p>\n

Anyway, not to sin inattentive, these days I impose a rigorous diet: I make only one meal a day ... a single meal, a single lunch, a single snack, a single breakfast, and a single dinner. And if by dawn any boberi\u00edta. Oh, and concerning the album, nobody can hide the obvious: it is also round ... And it moves.<\/p>\n

\"Reverso

Reverse of the album Espuma y arena, by Pedro Luis Ferrer. Design: Gory and Rub\u00e9n Torres.<\/p><\/div>\n

 <\/p>\n

CREDITS<\/p>\n

SIDE- A<\/p>\n

In foam and sand \/ Song \u2013 Pedro Luis Ferrer<\/i>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 6'19
\nMario Ague<\/i> \/ Guaracha \u2013 Pedro Luis Ferrer 3'45
\nHow I Like "Speak" Spanish<\/i>\u00a0 \/ Song \u2013 Pedro Luis Ferrer 3'16
\nMayabe's donkey<\/i> \/ Guaracha \u2013 Raulito Ferrer 3'12
\nTitina \/ Guaracha returns \u2013 Francisco Bejerano\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/i>\u00a0\u00a0\u00a0 <\/i>\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 \u00a0 \u00a0 3'58<\/p>\n

SIDE- B<\/p>\n

I can't love you anymore \/ Guaracha \u2013 Pedro Luis Ferrer<\/i>\u00a0 \u00a04'23
\nA truck driver in the Plaza de Santiago<\/i> \/ Song \u2013 tenth: Rodolfo Ferrer; music: Pedro Luis Ferrer 4'20
\nArtificial insemination \/ Guaracha \u2013 tenth: Ra\u00fal Ferrer; music: Pedro Luis Ferrer<\/i>\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0 4'51
\nthe gluttonous<\/i> \/ Guaracha \u2013 Pedro Luis Ferrer 4'55
\nThe silence -<\/i> anonymous work of unique musical value. (Note: Not danceable. Specially conceived for minutes of remembrance. We include it in honor of the Great Cuban Soneros).<\/p>\n

Silvia Acea Ramos: voice and keyboards
\nJomani Hechevarr\u00eda: voice and keyboards
\nJos\u00e9 Gonz\u00e1lez: voice, guitar and three
\nEnrique Lafuente: bass guitar
\nPanchito Bejerano: bongo
\nRuy L\u00f3pez-Nussa: paila
\nEduardo Rubio: flute
\nPedro Luis Ferrer: solo voice, guitar
\nRey Gonz\u00e1lez: head of sound<\/p>\n

Direction and orchestration: Pedro Luis Ferrer
\nProduction: Frank Bejerano, Pedro Luis Ferrer
\nRecording and mixing: Frank Bejerano
\nGraphic concept: Pedro Luis Ferrer, Gory and Rub\u00e9n Torres
\nDesign: Gory and Rub\u00e9n Torres
\nPhotography: Gory, Pancho and Alfonso
\nEgrem Recording Studio<\/p>\n

Havana City, Cuba
\nSL 42-39<\/div><\/div>\n