{"id":2893,"date":"2019-05-03T00:00:22","date_gmt":"2019-05-03T04:00:22","guid":{"rendered":"https:\/\/magazineampm.com\/?p=2893"},"modified":"2022-03-22T19:36:24","modified_gmt":"2022-03-22T23:36:24","slug":"dando-la-nota","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/dando-la-nota\/","title":{"rendered":"Giving the note"},"content":{"rendered":"<p>Vinyl records did not always come (do they come?) accompanied by notes about their content.<!--more--> As the inside book is not frequent in this format, there are only two surfaces left (front and back cover) in which it is not usual to find detailed information beyond the credits. At least, that&#039;s how it was in Cuba, where we rarely had the luxury of something more spacious in visual terms. However, there are vinyls that do have presentation texts, such as <i>D\u00edas y Flores<\/i> by Silvio Rodr\u00edguez, for example, that has the words of the author himself.<\/p>\n<p class=\"translation-block\">But where really the specialized commentaries have rested for their respects in Cuban discography is at the time of the compact disc. Many, I would say that most of the CDs that have been produced in Cuba between 1993 and today (that year marks the date of the first national productions in this format), have in their inner booklet what we call discographic notes here. Sometimes loaded with lyricism, others with anecdotes, many in a musicological or musicographic mood, some authentic literary pieces; the notes had -whether they succeeded or not- various objectives, depending on the author or whoever ordered them, whether it was the interpreter or the record company: to interest the possible buyer in the \"musical product\", expand the context information to make the listening a more informed one; even complement the atmosphere that the music proposed (be part of the experience, we would say today).<\/p>\n<p class=\"translation-block\">The truth is that in the majority of cases -for not being absolute-, discographic notes today sleep the dusty dream of shelves and boxes in houses or warehouses, or they get bored in obsolete digital folders. In view of the economic difficulties that complicated the production of phonograms in Cuba years ago, some were never even printed, and most of them were finally stabbed by streaming. Exceptionally some music lover with luck lays eyes on them again.<\/p>\n<p>Thinking about this, about how much and how good has been written about Cuban music in the notes of our vinyl records and compact discs, we set out, in this new section, to bring you Cuban records of any era through \"the voices\" that presented them at the time. Accompanied by the music, of course, but also by the credits, whenever they are available, it will be like relaunching these phonograms, listening to them sharing headphones with Marta Vald\u00e9s, Leonardo Acosta, Sigfredo Ariel or the interpreter himself. It will be a musical trip in unbeatable company.<\/p>\n<h4>Cubadisco Awards for Discographic Notes (2002-2018)<\/h4>\n<div class=\"su-note\"  style=\"border-color:#e5e54c;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\"><div class=\"su-note-inner su-u-clearfix su-u-trim\" style=\"background-color:#FFFF66;border-color:#ffffff;color:#333333;border-radius:3px;-moz-border-radius:3px;-webkit-border-radius:3px;\">2018. Alberto Garrand\u00e9s for <i>Un Time<\/i>, Harold Merino (EGREM)<br \/>\n2017. Sigfredo Ariel for <i>Colecci\u00f3n 40 A\u00f1os de M\u00fasica Jos\u00e9 Mar\u00eda Vitier<\/i>, Jos\u00e9 Mar\u00eda Vitier (Unicornio)<br \/>\n2016. Pedro de la Hoz for <i>Del Oriente de Cuba<\/i>, Several interpreters.<br \/>\n2015. Jorge G\u00f3mez for <i>70 Am\u00e9ricas<\/i>, Orquesta Am\u00e9rica (Colibr\u00ed)<br \/>\n2014. Pancho Amat for <i>Si de son se trata<\/i>, Ecos del Tivol\u00ed (Bis Music)<br \/>\n2013. Mar\u00eda Elena Mendiola for Colecci\u00f3n Original de Cuba. Voices: Las D\u2019Aida (EGREM)<br \/>\n2012. Natalia Bol\u00edvar for <em>Las estrellas del folclor<\/em> (Bis Music).<br \/>\n2011. Reynaldo Cede\u00f1o for <i>Veneraci\u00f3n. Antolog\u00eda santiaguera, <\/i>Various interpreters (Bis Music)<br \/>\n2010. Claudia Fallarero for <em>En Vivo<\/em>, Aldo L\u00f3pez Gavil\u00e1n (Colibr\u00ed)<br \/>\n2009. Sonia P\u00e9rez Cassola for <em>Soy la d\u00e9cima guajira<\/em>, Several interpreters (EGREM)<br \/>\n2008. Sonia P\u00e9rez Cassola for <em>Original de Cuba: Celina Gonz\u00e1lez,<\/em> Celina Gonz\u00e1lez (EGREM)<br \/>\n2007. Liliana Casanella for <em>Grandes \u00e9xitos de Elena Burke,<\/em> Elena Burke (EGREM)<br \/>\n2006. Mar\u00eda Elena Mendiola for <i>Cancionero cubano, <\/i>Chucho Vald\u00e9s (EGREM)<br \/>\n2005. Cary Diez for <em>La Rumba soy yo. Con sentimiento manana<\/em>, Various interpreters (Bis Music)<br \/>\n2004. Miriam Escudero for <em>Gaspar Fern\u00e1ndez. Cancionero Musical de la Catedral de Oaxaca<\/em>, Ars Longa (OHCH and K.617)<br \/>\n2003. Leonardo Acosta for <em>Habana Report<\/em>, Ern\u00e1n L\u00f3pez Nussa (Unicornio)<br \/>\n2002. Sigfredo Ariel for <i>El legendario Tr\u00edo Matamoros<\/i>, Tr\u00edo Matamoros (EGREM)<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Vinyl records did not always come (do they come?) accompanied by notes about their content.<\/p>","protected":false},"author":15,"featured_media":2896,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[1039,8906],"tags":[1038,1037],"coauthors":[110],"class_list":["post-2893","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dando-la-nota","category-variaciones","tag-notas-discograficas","tag-premios-cubadisco"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2019\/05\/booklet-sagrado-dando-la-nota.png?fit=1600%2C900&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/2893","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=2893"}],"version-history":[{"count":2,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/2893\/revisions"}],"predecessor-version":[{"id":10203,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/2893\/revisions\/10203"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/2896"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=2893"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=2893"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=2893"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=2893"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}