indie today<\/span><\/a><\/p>\nIt is common to find people who still maintain the death of rock. The conservative saying that \"all times past were better\" is often repeated in comments on social networks and in music reviews. That is, anywhere but at a concert. In 2023, the outlook darkened for rock detractors, but the faithful attendees of live shows -whether underground or massive- were able to reinforce what was happening in the Argentine scene and refute the voices that point to the hegemony of trap. In the last few years, guitars took back control by the hand of bands that knew how to ramify the different incarnations of rock to ensure its validity, its strengthening and its total renewal.\u00a0<\/span><\/p>\nThe 20-year anniversary of El Mat\u00f3 a un Polic\u00eda Motorizado not only brought with it a fresh and challenging album titled <\/span>Super terror<\/span><\/i>but also the consolidation of the band both at home and abroad. The group that began playing in houses and bars in La Plata, today is a tank that headlines festivals like Cosqu\u00edn, Primavera Sound and Capital, to fill Geba and Luna Park. But 2023 was also an exemplary year for the new generations of artists like Barbi Recanati, Usted Se\u00f1alemelo and Fonso, who gave a lecture with their respective albums. Meanwhile, we continue to be surprised by the scope of the so-called post-punkdemia scene led by bands that shook the board as Winona Riders, Nenagenix, Dum Chica, Sakatumba, El Club Audiovisual and -who lead our podium- Mujer Cebra. In difficult times like these, covering the lion's meow with waves of distortion is a remedy for the heart.\u00a0<\/span><\/p>\nTop 10 albums Argentina<\/span><\/p>\nMujer Cebra - Clase B: (highlighted: \"Y no me digan nada<\/span>)\u00a0<\/span><\/p>\n