{"id":14541,"date":"2023-08-07T00:30:51","date_gmt":"2023-08-07T04:30:51","guid":{"rendered":"https:\/\/magazineampm.com\/?p=14541"},"modified":"2023-09-04T10:03:00","modified_gmt":"2023-09-04T14:03:00","slug":"dibujar-la-musica-raupa","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/dibujar-la-musica-raupa\/","title":{"rendered":"Drawing Music: Raupa"},"content":{"rendered":"

Music is not only one of the main ways of doing my work, but of being in a place. I like silence, but there are musics that achieve that as well. I consume an enormous amount of music and I'm always discovering new things. I give a lot of value to the music I use to do my work, which is not so much a job because it's a lot of fun, although in reality, when it's an illustration, a poster, it takes a complicated process of concentration and creation. Music, in that sense, helps me a lot; if I didn't have music for the process I think I wouldn't be the same person, nor would I create the same things.\u00a0<\/span><\/p>\n

Of all of them, I prefer film soundtracks, I fall in love with them. I listen to them and create movies while I'm drawing. To a certain extent, it's what keeps me alive working, creating.\u00a0<\/span><\/p>\n

Since I graduated in 2005 I have always been involved in projects that have to do directly or indirectly with music. I remember the beginning: when we worked with Harold Lopez-Nussa and the video of <\/span>Swiss dancing<\/span><\/i>. Other videoclips followed: Aldo L\u00f3pez-Gavil\u00e1n, Buena Fe, Eme Alfonso, X Alfonso and the most recent one, to close a stage of videoclips in my life. <\/span>\u2014<\/span>that's how I see it<\/span>\u2014<\/span> with Harold again (and Cimafunk). I think if I hadn't been a designer, illustrator, I would have been a musician or maybe something to do with that world. It's one of my key pieces for a living.\u00a0<\/span><\/p>\n