{"id":14057,"date":"2023-06-19T00:00:40","date_gmt":"2023-06-19T04:00:40","guid":{"rendered":"https:\/\/magazineampm.com\/?p=14057"},"modified":"2023-06-19T10:43:37","modified_gmt":"2023-06-19T14:43:37","slug":"libelula-land-whales","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/libelula-land-whales\/","title":{"rendered":"Dragonfly \/ Land Whales"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">The international <\/span><i><span style=\"font-weight: 400;\">shoegaze<\/span><\/i><span style=\"font-weight: 400;\"> is a musical genre that emerged in the UK in the late 1980s and is defined by a powerful and abrasive sonority. It is characterized by ethereal layers of sound, usually achieved through the processing of electric guitars and effects pedals (distortion, distortion, etc.), <\/span><i><span style=\"font-weight: 400;\">reverb <\/span><\/i><span style=\"font-weight: 400;\">or <\/span><i><span style=\"font-weight: 400;\">delayed<\/span><\/i><span style=\"font-weight: 400;\">). In search of the creation of dreamy atmospheres, usually with unintelligible or simple vocal interpretations, their aim is rather to express an emotion, rather than to give a lyrical message directly.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This genre is, from my point of view as an outside observer, a sort of <\/span><i><span style=\"font-weight: 400;\">punk<\/span><\/i><span style=\"font-weight: 400;\"> shy. It owes its name to the musicians who play it, since, by using a large number of pedals of different types, they usually remain looking at the floor (<\/span><i><span style=\"font-weight: 400;\">shoe-gazing<\/span><\/i><span style=\"font-weight: 400;\">), although others say it alludes to the shyness of the interpreters.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The very way in which this style is conceived takes into account the attitude of the performers, who largely seek to create layers of sound that hide what the voice really wants to say in its rawest and most visceral form.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In short, the <\/span><i><span style=\"font-weight: 400;\">shoegaze<\/span><\/i><span style=\"font-weight: 400;\"> takes on the energy and rawness of the <\/span><i><span style=\"font-weight: 400;\">punk<\/span><\/i><span style=\"font-weight: 400;\">and carries them through space wrapped in thousands of layers of sweetness and ethereal softness. If the <\/span><i><span style=\"font-weight: 400;\">shoegaze<\/span><\/i><span style=\"font-weight: 400;\"> cotton candy, the <\/span><i><span style=\"font-weight: 400;\">punk<\/span><\/i><span style=\"font-weight: 400;\"> would be the stick that holds everything and that, as much sweetness that surrounds it, has at its core that rawness and need to express the innermost in a visceral way.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">What's this all about?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It can be said that in Cuba there is a <\/span><i><span style=\"font-weight: 400;\">indie-rock. <\/span><\/i><span style=\"font-weight: 400;\">There always was in spirit, but not in name. Many bands of all the rock edges, which is not the same as metal, already have their works available in the platforms of <\/span><i><span style=\"font-weight: 400;\">streaming<\/span><\/i><span style=\"font-weight: 400;\">but one of the last subgenres to enter this list has been the <\/span><i><span style=\"font-weight: 400;\">shoegaze<\/span><\/i><span style=\"font-weight: 400;\">which arrives thanks to Land Whales and their debut EP <\/span><i><span style=\"font-weight: 400;\">Dragon-fly <\/span><\/i><span style=\"font-weight: 400;\">(Hiss Records, 2023), recorded between 2021 and 2022 and released on January 12 of this year.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Dragon-fly<\/span><\/i><span style=\"font-weight: 400;\"> is, at least declaredly, the first allusion to a work of <\/span><i><span style=\"font-weight: 400;\">shoegaze<\/span><\/i><span style=\"font-weight: 400;\"> in Cuba, although it can be considered a <\/span><a href=\"https:\/\/magazineampm.com\/en\/nacional-electronica-o-el-viaje-a-la-cumbre-sinestesica\/\"><span style=\"font-weight: 400;\">National Electronics<\/span><\/a><span style=\"font-weight: 400;\"> as a precursor of this genre in our country with themes such as <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=dLeJjZJmluM&amp;feature=youtu.be&amp;ab_channel=EdgarCasanova\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">We have reached the future!<\/span><\/i><\/a><span style=\"font-weight: 400;\">with more tinges of electronic music, specifically IDM (<\/span><i><span style=\"font-weight: 400;\">Intelligent Dance Music<\/span><\/i><span style=\"font-weight: 400;\">), than rock. Both IDM and <\/span><i><span style=\"font-weight: 400;\">shoegaze<\/span><\/i><span style=\"font-weight: 400;\"> converge in their quest to create enveloping atmospheres from the repetition of motifs and melodies through the use of superimposed sound processing.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Without being exactly the same thing, there are precursors of the <\/span><i><span style=\"font-weight: 400;\">noise rock<\/span><\/i><span style=\"font-weight: 400;\">as the Trio Mataflores, which played it in <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=SNlufpEryiI&amp;ab_channel=MatafloresTrio\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">a banana grove<\/span><\/a><span style=\"font-weight: 400;\">or Cristian Alejandro who, following his father's spirit, ingenuously experimented with distortion at high levels complemented by a suffering voice, similar to the way it is used in the <\/span><i><span style=\"font-weight: 400;\">shoegaze<\/span><\/i><span style=\"font-weight: 400;\">in songs such as <\/span><a href=\"https:\/\/youtu.be\/j4LYBIhfda8\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Lost<\/span><\/i><\/a><span style=\"font-weight: 400;\">the main theme of the telenovela <\/span><i><span style=\"font-weight: 400;\">Dust in the wind<\/span><\/i><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">What is Land Whales?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Land Whales is a band from Havana, four are its members (now) and their style varies, but in this work it is the <\/span><i><span style=\"font-weight: 400;\">shoegaze <\/span><\/i><span style=\"font-weight: 400;\">their main letter of introduction. Its head is Yaismar Schellekens, better known as Martin or Rogelio in the local scene. <\/span><i><span style=\"font-weight: 400;\">geeks<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">punkers<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">undergrounds<\/span><\/i><span style=\"font-weight: 400;\"> of <\/span><i><span style=\"font-weight: 400;\">indie<\/span><\/i><span style=\"font-weight: 400;\"> Havana, electronic music and the <\/span><i><span style=\"font-weight: 400;\">hyper-reparto<\/span><\/i><span style=\"font-weight: 400;\">. When I say <\/span><i><span style=\"font-weight: 400;\">indie<\/span><\/i><span style=\"font-weight: 400;\">I mean this in the strict and original sense of the word, do not read Arctic Monkeys, nor Tame Impala. Land Whales is music made and recorded from a room, distributed by the Chilean independent label <\/span><i><span style=\"font-weight: 400;\">Hiss Records<\/span><\/i><span style=\"font-weight: 400;\"> founded by Claudio Manriquez (<\/span><i><span style=\"font-weight: 400;\">Sonic horse mackerel<\/span><\/i><span style=\"font-weight: 400;\">), leader of the Chilean group of <\/span><i><span style=\"font-weight: 400;\">shoegaze<\/span><\/i><span style=\"font-weight: 400;\"> Adelaide, one of the Land Whales reference bands. The release of <\/span><i><span style=\"font-weight: 400;\">Dragon-fly<\/span><\/i><span style=\"font-weight: 400;\"> through this label is due to the tireless persistence of Martin, who even before he came of age had achieved the dream of any emerging musician: that a band he admires and respects appreciates his work enough to release it under their label.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">They say that, just a few days before the scheduled release date of the EP on <\/span><i><span style=\"font-weight: 400;\">streaming<\/span><\/i><span style=\"font-weight: 400;\">Martin sent his work first to Jurel S\u00f3nico and then to Anke Steinhofel (Adelaide's bassist) and received positive words about the work. Within a month, Jurel contacted him directly and offered to release his debut through Hiss Records. Without hesitation, Martin, who had already received refusals or no response from more than 50 labels, cancelled the planned release under a generic distributor in order to do it through the label of one of his favorite bands.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/LlqKWl2STDQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">What does Dragonfly sound like?<\/span><\/p>\n<p><span style=\"font-weight: 400;\">It is an EP of five tracks with a total duration of fifteen minutes, where each and every track includes heavy distortion, a lot of ambient and vocals barely distinguishable from the background.\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">I don't see you<\/span><\/i><span style=\"font-weight: 400;\">From the very first moment, the aesthetics that will set the tone for the EP is declared. A wall of sound is created by using the superposition of drums, guitars and bass in the first bars, overflowing with intensity and explosiveness. A few moments later, just before some space is freed up for Martin's vocals to enter. Then some guitar details are added to the mix and then the intensity of the beginning is resumed while the vocal performance expresses agony and frustration.\u00a0<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Supersonic Cow<\/span><\/i><span style=\"font-weight: 400;\">It is an interlude made from sound experimentation with various electronic elements and the use of <\/span><i><span style=\"font-weight: 400;\">loops<\/span><\/i><span style=\"font-weight: 400;\">guided mainly by Martin's voice. Quoting a good friend: ''it's the closest thing to the sound of the album. <\/span><i><span style=\"font-weight: 400;\">OK Computer<\/span><\/i><span style=\"font-weight: 400;\"> (Radiohead) that has been made in Cuba''. It is one of the most interesting and experimental pieces on the EP. The lyrics talk about the aerodynamics of a cow and it is my favorite track on the phonogram.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Hiel<\/span><\/i><span style=\"font-weight: 400;\">This is a more traditional rock song, where distortion is the protagonist, present from beginning to end. Here you can hear Mart\u00edn singing, and his voice is treated with the same spatiality of previous songs, but in this one it occupies a central place. The lyrics fulfill the function of transmitting through images supported by the expressivity of his interpretation and vocals of <\/span><i><span style=\"font-weight: 400;\">background<\/span><\/i><span style=\"font-weight: 400;\"> he makes himself.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Windows<\/span><\/i><span style=\"font-weight: 400;\">Lightens a little the intensity of the previous track with more spatial arrangements and some angelic backing vocals by Ki Dei, in a track that sounds a little more melodic and less heartbreaking than the previous one, but not lacking in intensity.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Where you hide (end)<\/span><\/i><span style=\"font-weight: 400;\">This is the shortest of all the works (1:57), and it begins as the EP does: with a wall of distortion that hits violently from the moment the song is played. In this track the voice is practically buried in the mix, the distortion occupies almost all the space as if it were an internal discussion where the negatively charged voice is winning. The piece leaves me with a feeling of anxiety and no resolution. It is also the closing track of the EP and the continuation of the <\/span><a href=\"https:\/\/youtu.be\/n1HnTs4X7hU\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">cover<\/span><\/i><span style=\"font-weight: 400;\"> a <\/span><i><span style=\"font-weight: 400;\">As A G<\/span><\/i><span style=\"font-weight: 400;\"> of Rosalia<\/span><\/a><span style=\"font-weight: 400;\">which was launched by the group a little over a year ago.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The future is today<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I really like that from such a young head comes a breath of fresh air to Cuban rock, and that finally someone in our island has dared to explore this genre, incorporating us to the list of countries in the continent with bands of this style. I like the fact that new sides of rock are being tried in Cuba, and that in a direct or indirect way they defend that rock is not only metal. I am also excited to know that, for their next work, the band plans to take another direction. And above all, it surprises me how much Mart\u00edn is capable of, with such a young age and so much motivation per square centimeter that he brings.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The last year has been one of experimentation and sonorous search for several groups, a period in which several releases have taken place that make me believe that there is a new wave of rock created on the island, interesting for Cubans and for the world. Can you imagine, finally, exporting rock <\/span><i><span style=\"font-weight: 400;\">made in<\/span><\/i><span style=\"font-weight: 400;\"> Cuba?<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Dragon-fly<\/span><\/i><span style=\"font-weight: 400;\"> is not for everyone, especially if you are not familiar with rock. If you don't like it or are not interested in distortion, you've been warned. However, if you are curious and daring, I recommend you give it a listen, you may be surprised by what's cooking in the backyard.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">Credits:<\/span><\/i><\/p>\n<p><span style=\"font-weight: 400;\">Martin Schellekens: Guitar-Voice<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Christopher L\u00e1zaro Maceiro - Drums<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Carlos Daniel Moya - Bass<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Mixing\/Master\/Production - Land Whales with the exception of <\/span><i><span style=\"font-weight: 400;\">Hiel<\/span><\/i><span style=\"font-weight: 400;\"> where the work was done by Bosito<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Written and performed by Land Whales\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Portada - Carlos Quiroga (@codito.western)<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>The last year has been one of experimentation and sonorous search for several groups, a period in which several releases have taken place that make me believe that there is a new wave of rock created on the island, interesting for Cubans and for the world. Can you imagine, finally, exporting rock made in Cuba?<\/p>","protected":false},"author":1533,"featured_media":14058,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[25],"tags":[9980,9978,9977,8673,9975,9974,764,9982,9976,9981,9979],"coauthors":[8824],"class_list":["post-14057","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-resenas","tag-adelaida","tag-hiss-records","tag-indie","tag-indie-rock","tag-land-whales","tag-libelula","tag-punk","tag-rock-alternativo-cuba","tag-shoegaze","tag-shoegaze-cuba","tag-yaismar-schellekens"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2023\/06\/photo_2023-06-18_19-16-09-scaled.jpg?fit=1200%2C548&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/14057","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/1533"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=14057"}],"version-history":[{"count":3,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/14057\/revisions"}],"predecessor-version":[{"id":14060,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/14057\/revisions\/14060"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/14058"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=14057"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=14057"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=14057"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=14057"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}