{"id":13970,"date":"2023-06-06T14:41:05","date_gmt":"2023-06-06T18:41:05","guid":{"rendered":"https:\/\/magazineampm.com\/?p=13970"},"modified":"2023-06-06T14:41:25","modified_gmt":"2023-06-06T18:41:25","slug":"panorama-faro-mayo","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/panorama-faro-mayo\/","title":{"rendered":"Panorama Faro: May"},"content":{"rendered":"<p>We start June talking about May. We are that avant-garde and\u00a0<em>vintage.<\/em>\u00a0Time passes and changes. Much faster than we think. So let's take a brief look back at the best of May before we are inundated with June. And quick, because IA is knocking on the door and is already waiting for us with the November 2027 Panorama on the doorstep.<\/p>\n<p>At Faro, almost without realizing it, we stopped publishing the Panoramas, a section that we thought would be a success of our media alliance. A section that would allow, in a few minutes of reading, to be updated and discover the ten most outstanding things in ten Ibero-American countries that happened in a month. We didn't succeed, no, it didn't go viral, far from it... although it did attract the attention of an interesting handful of readers. So we decided to suspend the publication of the Panoramas in order to reformulate them.<\/p>\n<p>Now comes the new format: it will include only one content per country, a single proposal from each of the eight countries that make up the media alliance today. In this way, this Panorama, the one of the return, chooses the proposal it considers most interesting and attractive from its country, with a total of seven countries. An album, a song, a <em>single<\/em>a festival...<\/p>\n<p>We hope that this new proposal will be more interesting, attractive and arouse more curiosity. And it will help us all to get to know and discover artists every month, which is what it's all about.<\/p>\n<p>Here, with all of us, the Panorama of May 2023, the return.<\/p>\n<p><strong><span class=\"zz-rojo\"><span class=\"zz-rojo zz-txt-24\">ARGENTINA \/ <\/span><\/span><span class=\"zz-txt-20\">By Juampa Barbero\u00a0<span class=\"zz-rojo\">-<\/span>\u00a0<em>indie today<\/em><br \/>\n<em>TReSMO <span class=\"zz-rojo\">-<\/span> Melanie Williams\u00a0\u00a0<\/em><\/span><\/strong><br \/>\n<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.zonadeobras.com\/wp-content\/uploads\/2023\/06\/melanie-disco.jpg?ssl=1\" alt=\"Melanie Williams TReSMO\" \/><br \/>\nIn early May, Melanie Williams published\u00a0<em>TReSMO<\/em><strong>,<\/strong>\u00a0his third album that immerses us in a captivating fusion of analog and digital resources. The successor to\u00a0<em>We are 2<\/em>\u00a0(2021) is a portal to the unique retro-futuristic universe of the Argentine artist and her band El Cabloide.<strong>,<\/strong>\u00a0in which he interweaves different genres and textures to create a fascinating atmosphere.<\/p>\n<p>Williams is in full artistic metamorphosis, showing her versatility as a singer, songwriter and multi-instrumentalist. Her eleven songs propose a tour at the speed of surf rock, with influences that range from rock\u00a0<em>groovero<\/em>\u00a0to synth pop, culminating in a surprising finale in eight\u00a0<em>bits.<\/em><\/p>\n<p>Williams defies conventional song structures, incorporating tight rhythms and melancholic synthesizers that establish a bridge between the eighties and the postmodern. The result is a work that dialogues with cyberpunk, reinterpreting it in the current context to reflect its maximum aesthetic splendor.<\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2EoKazFQaT7LSvR55Nsr2s?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr \/>\n<p><strong><span class=\"zz-txt-20\"><span class=\"zz-rojo\"><span class=\"zz-rojo zz-txt-24\">CHILE \/ <\/span><\/span>By POTQ<br \/>\n<span class=\"zz-rojo\"><em>Gymnastics magazine <\/em>-<\/span> D\u00ebnver\u00a0<\/span><\/strong><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.zonadeobras.com\/wp-content\/uploads\/2023\/06\/denver-disco.jpg?ssl=1\" alt=\"D\u00ebnver \u2013 Revista de gimnasia\" \/><\/p>\n<p>\"Young, retro and fabulous.\" That's what we said ten years ago in\u00a0<em>POTQ Magazine<\/em>\u00a0about\u00a0<em>Out of the field,<\/em>\u00a0the third album by the Chilean duo D\u00ebnver<strong>,<\/strong>\u00a0when it was published. Mariana and Milton had just come from the brutal milestone that was the departure of\u00a0<em>Music, grammar, gymnastics<\/em><strong><em>,<\/em><\/strong>\u00a0one of the most important Chilean pop albums of the new century and in this new adventure they decided to embrace much more orchestrations. Today, a decade later, they are revisiting this work, and the first result is the remastering of<em>Gymnastics magazine<strong>.<\/strong><\/em>\u00a0A little bit Abba<strong>,<\/strong>\u00a0a little disco, a lot of D\u00ebnver. With ten more years of experience in the body, the advancement of technology in local studios and the hand of the excellent Chilean producer Chalo Gonz\u00e1lez<strong>,<\/strong>\u00a0Milton and Mariana touched the right knobs to make this new version of the single shine in all its splendor. In this exclusive interview with the duo we talk about the passage of time, musical production, what has changed in them and plans for the future.<\/p>\n<div class=\"video-container\"><iframe loading=\"lazy\" title=\"Gymnastics magazine - D\u00ebnver\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/OH0AJJ3CPu0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<hr \/>\n<p><strong><span class=\"zz-rojo\">BRAZIL \/ <\/span>By Marcelo Costa\u00a0<span class=\"zz-rojo\">-<\/span>\u00a0Scream&amp;Yell<\/strong><strong><br \/>\n<\/strong><strong><span class=\"zz-txt-20\"><span class=\"zz-rojo\"><em>Raw art<\/em> -<\/span> Bike<\/span><\/strong><br \/>\n<img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.zonadeobras.com\/wp-content\/uploads\/2023\/06\/bike-disco.jpg?ssl=1\" alt=\"Bike \u2013 Arte bruta\" \/><\/p>\n<p>Lysergic rock quartet formed in Vale do Para\u00edba<strong>,<\/strong>\u00a0in the state of S\u00e3o Paulo, Bike reaches its fifth album at its best moment.\u00a0<em>Raw art<\/em>produced by guitarist Guilherme Held (a disciple of Lanny Gordin).<strong>,<\/strong>\u00a0guitar genius present on classic albums by Gilberto Gil and Gal Costa<strong>,<\/strong>\u00a0among others, in the 1970s) makes its references explicit from the very first track,\u00a0<em>Al\u00e9m-ambiente,<\/em>\u00a0introduced by the vignette\u00a0<em>Arcoverde,<\/em>\u00a0that walks along the same melodic path that\u00a0<em>Fugue number 2,<\/em>\u00a0a Os Mutantes classic<strong>.<\/strong>\u00a0The influence of the iconic Brazilian band that introduced the world to Rita Lee<strong>,<\/strong>\u00a0the queen of Brazilian rock, who passed away this month, is one of the hooks to catch the listener's attention.\u00a0<em>Bike<\/em>\u00a0offers much more in the thirty-three minutes of an album that combines Brazilian rock, Tropic\u00e1lia, sixties psychedelia and krautrock. In addition to the album, check out the band's live powerhouse on <a href=\"https:\/\/youtu.be\/JUSH3eEXhP8\" target=\"_blank\" rel=\"noopener\">a recently released session of the band in the studios of renowned KEXP<\/a>.<\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/1FV9seTaqwRxdfvLXDZOLa?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr \/>\n<p><strong><span class=\"zz-rojo\"><span class=\"zz-rojo zz-txt-24\">CUBA \/ <\/span><\/span><span class=\"zz-txt-20\">By Magazine AM:PM<br \/>\n<span class=\"zz-rojo\"><em>Love and Salsa (80th Anniversary) <\/em>-<\/span> Pablo Milan\u00e9s<\/span><\/strong><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.zonadeobras.com\/wp-content\/uploads\/2023\/06\/pablo-750.jpg?ssl=1\" alt=\"Pablo Milan\u00e9s \u2013 Amor y salsa (80 aniversario)\" \/><\/p>\n<p>We already knew that the music of Pablo Milan\u00e9s is immortal. What we did not know was that a few months after his death he would give us one of the best albums of his recent career. It is providential that what may be the last album he recorded, closes the circle of his career in the land of son, one of his nourishing sources.\u00a0<em>Love and Salsa (80th Anniversary)<\/em>\u00a0is a party, very much in the style of that double anthology that was\u00a0<em>Dear Pablo and Pablo dear,<\/em>\u00a0only this time it focuses on salsa.<\/p>\n<p>Nineteen duets -and one solo song- with longtime friends <strong>(Ana Bel\u00e9n, Oscar D'Le\u00f3n, Andy Monta\u00f1ez)\u00a0<\/strong>and more contemporary voices (Alejandro Sanz, Ayme\u00e9 Nuviola, Juanes) give this album the flavor of an instant classic. It is a pleasure to see that the voice and the talent to approach popular music remained intact in the Bayamese singer until the last moment of his life;\u00a0<em>Love and Salsa (80th Anniversary)<\/em>\u00a0will undoubtedly be part of the must-have catalog of any lover of Spanish-language songs.<\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/4JrOTF37VFC2NPXIOsH7sA?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr \/>\n<p><strong><span class=\"zz-rojo\"><span class=\"zz-rojo zz-txt-24\">SPAIN \/\u00a0<\/span><\/span><span class=\"zz-txt-20\">By Mondo Sonoro<br \/>\n<span class=\"zz-rojo\"><em>A3 Cowboys <\/em>-<\/span> Bogota is burning\u00a0<\/span><\/strong><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.zonadeobras.com\/wp-content\/uploads\/2023\/06\/arde-disco.jpg?ssl=1\" alt=\"Arde Bogot\u00e1 \u2013 Cowboys de la A3\" \/><\/p>\n<p>Arde Bogot\u00e1 consolidates its position with its second album\u00a0<em>A3 Cowboys.<\/em>\u00a0The quartet from Cartagena (Murcia) faced the always feared second full-length album with two things in their favor that they knew how to take advantage of. On the one hand the solvency of having a first album of rock without palliatives like\u00a0<em>The night<\/em>\u00a0(Sony Music, 2121) that foreshadowed a continuation at the height. And on the other hand, a base of faithful recruited thanks to a strong and solid live performance like few others. They only had to present a sharper album and with a sufficient dose of contagious choruses to convince that theirs was not a one-day flower. They succeeded with flying colors and are one of the bands to be reckoned with in this festival Spain, occupying the space in Spanish that has been taken over by bands like Arctic Monkeys, Kasabian or Kings Of Leon.<\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/0VgV2hz9fHoJBLKbqtj9cn?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr \/>\n<p><strong><span class=\"zz-rojo\"><span class=\"zz-rojo zz-txt-24\">MEXICO \/\u00a0<\/span><\/span><span class=\"zz-txt-20\">For Indierocks!<br \/>\n<span class=\"zz-rojo\"><em>We're not even ready to talk <\/em>-<\/span> The Shirota<\/span><\/strong><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.zonadeobras.com\/wp-content\/uploads\/2023\/06\/shirota-disco.jpg?ssl=1\" alt=\"El Shirota \u2013 Ni siquiera estamos listos para hablar\" \/><\/p>\n<p>During several days in May, one of the main volcanoes in Mexico, Popocatepetl, erupted and had several explosions. This generated tremendous layers of ash in the surrounding areas. And so, with the force of a volcano, El Shirota is back with a disk full of<em>\u00a0riffs,<\/em>\u00a0thunderous chants and a lot of grunge, presented by the independent label Devil in the Woods.\u00a0<em>We're not even ready to talk<\/em>\u00a0is the second full-length release under the production of Mauricio Avenda\u00f1o (bass, vocals) who returns to the band. The quartet from Ciudad Sat\u00e9lite<strong>,<\/strong>\u00a0Estado de M\u00e9xico, presents twelve songs mastered in Chicago by Matthew Barnhart (Bob Mould, Superchunk, Bedhead, The New Year) with subtle rhythmic interplay, loud contrasts, in some songs vocal harmonies (characteristic of the band's previous productions) and raw guitars that also give a post-punk and post-hardcore feel. The singles released so far have been\u00a0<em>Influential, That's not the way it was<\/em>\u00a0and\u00a0<em>Segmentations<\/em>\u00a0and soon there will be a collector's edition on purple 12\" vinyl limited to three hundred copies. A mature material, somewhat more serious and reflective in its lyrics, without losing the touch that has placed them in the taste of a whole generation of today's rockers.<\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/2g0CeaYZjdCRcRyG6dxCJH?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr \/>\n<p><strong><span class=\"zz-rojo\"><span class=\"zz-rojo zz-txt-24\">URUGUAY \/\u00a0<\/span><\/span><span class=\"zz-txt-20\">By Piiila<br \/>\n<span class=\"zz-rojo\"><em>Guazatumba <\/em>-<\/span> Dani Umpi<\/span><\/strong><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.zonadeobras.com\/wp-content\/uploads\/2023\/05\/umpis-disco.jpg?ssl=1\" alt=\"Dani Umpi Guazatumba\" \/><\/p>\n<p><em>Guazatumba<strong>,<\/strong><\/em>\u00a0explains Dani Umpi<strong>,<\/strong>\u00a0is a tree that grows in northern Uruguay, whose leaves are used as a disinfectant and antidote for poisonous snake bites. This native evocation barely permeates their music. Because since\u00a0<em>Mormazo<\/em>\u00a0(2011), the multifaceted artist has fine-tuned his sound, feeding his baroque style with references to both the discotheques of yesteryear and the latest trends. Y\u00a0<em>Guazatumba<\/em>\u00a0is not the exception but a further evolution. Produced remotely with the Argentine producer Dr. Taba.<strong>,<\/strong>\u00a0this album takes us straight to the track, with its poetry increasingly refined without skimping on kitsch winks. Accompanied by the voices of the Spanish Masonier\u00eda and the Argentinians Fara\u00f3nikca and Joaqu\u00edn Vitola<strong>,<\/strong>\u00a0the point of contact with the Uruguayan world appears in an unthinkable but perfect way: by daring to fuse their pop with popular music in Saturno, and with the presence of the legend Elli Medeiros<strong>,<\/strong>\u00a0Uruguayan-French musician who led the punk band Stinky Toys and the electropop duo Elli et Jacno<strong>.<\/strong><\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/63nVyKVXvnLNnVR6x3mlxC?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr \/>\n<p><strong><span class=\"zz-rojo\"><span class=\"zz-rojo zz-txt-24\">COLOMBIA \/\u00a0<\/span><\/span><span class=\"zz-txt-20\">By Shock<br \/>\n<span class=\"zz-rojo\">-<\/span>\u00a0Lalo Cort\u00e9s\u00a0<span class=\"zz-rojo\">-<\/span>\u00a0<em>Re-encounter<\/em><\/span><\/strong><\/p>\n<p><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.zonadeobras.com\/wp-content\/uploads\/2023\/06\/lalo-disco.jpg?ssl=1\" alt=\"Lalo Cort\u00e9s \u2013 Re-encuentro\" \/><\/p>\n<p>Lalo Cort\u00e9s says that before recording the seven songs that comprise\u00a0<em>Re-Encounter<strong>,<\/strong><\/em> her first album, she felt \"lost in a context that distanced her from her reality and subjected her to standards that did not correspond to her\". So this is an album that speaks of making her identity tangible again, of the transition \"from darkness to light\" that means positioning herself in front of the world. And that interest is also translated in the displacements that she makes between chaotic jazz, r&amp;b, rap and gospel; also in the questions that she formulates about privilege, the childhood memories that blocked her memory and the ancestry in the city. Lalo is a black woman from Bogota. It all sounds like a dense and heavy rationalization, but in Lalo's fine voice it feels fresh and warm. It is one of the most treasured debut albums of the year in Colombia, no doubt.<\/p>\n<p><iframe loading=\"lazy\" style=\"border-radius: 12px;\" src=\"https:\/\/open.spotify.com\/embed\/album\/3oktbAuWkuFNFYdqFhKKug?utm_source=generator\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr \/>\n<p><span class=\"zz-rojo\"><strong><span class=\"zz-txt-40\">IBEROAMERICAN PANORAMA MAY<\/span><\/strong><\/span><\/p>\n<p><em>The Panoramas of\u00a0<a href=\"https:\/\/www.instagram.com\/faro_alianza\/\" target=\"_blank\" rel=\"noopener\"><strong>Faro<\/strong><\/a> are a monthly collaborative content created by the members of the Ibero-American music and culture media alliance. Each month, this section is published simultaneously in all Faro's member media, multiplying its reach and visibility. The objective is to show first-hand what is happening in the music and cultural scenes of the region.<\/em><\/p>\n<p><em>Lighthouse is composed of\u00a0<a href=\"https:\/\/indiehoy.com\/\" target=\"_blank\" rel=\"noopener\"><strong>IndieToday<\/strong><\/a>\u00a0(Argentina),\u00a0<a href=\"https:\/\/www.indierocks.mx\/\" target=\"_blank\" rel=\"noopener\"><strong>Indie Rocks!<\/strong><\/a>\u00a0(Mexico),<strong>\u00a0<\/strong><a href=\"https:\/\/www.magazineampm.com\/en\/\" target=\"_blank\" rel=\"noopener\"><strong>Magazine AM:PM<\/strong><\/a>\u00a0(Cuba),\u00a0<a href=\"https:\/\/www.mondosonoro.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Sound World<\/strong><\/a>\u00a0(Spain),\u00a0<a href=\"https:\/\/www.piiila.com\/\" target=\"_blank\" rel=\"noopener\"><strong>Piiila<\/strong><\/a>\u00a0(Uruguay),\u00a0<a href=\"https:\/\/www.potq.net\/\" target=\"_blank\" rel=\"noopener\"><strong>POTQ<\/strong><\/a>\u00a0(Chili),\u00a0<a href=\"http:\/\/screamyell.com.br\/site\/\" target=\"_blank\" rel=\"noopener\"><strong>Scream&amp;Yell<\/strong><\/a>\u00a0(Brazil),\u00a0<a href=\"https:\/\/www.shock.co\/\" target=\"_blank\" rel=\"noopener\"><strong>shock<\/strong><\/a>\u00a0(Colombia), and\u00a0<strong>Construction Area<\/strong>\u00a0(Spain).<\/em><\/p>\n<p><em><strong>Follow Faro on\u00a0<\/strong><a href=\"https:\/\/www.instagram.com\/faro_alianza\/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram<\/strong><\/a><strong>\u00a0<\/strong>and in\u00a0<strong><a href=\"https:\/\/open.spotify.com\/user\/eadk4534pmmad7uotxmfldylx\" target=\"_blank\" rel=\"noopener\">Spotify<\/a>.<\/strong><\/em><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: PANORAMA IBEROAMERICANO\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/3pHRP9KTpTZnmPKlzlcMp8?si=86635cf9b7494308&#038;utm_source=oembed\"><\/iframe><\/div>\n<p>&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Panoramas, the music scene recommendations curated by the members of Faro, the alliance of Ibero-American music and culture media, are back with a new format.<\/p>","protected":false},"author":15,"featured_media":13979,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8172],"tags":[8469],"coauthors":[110],"class_list":["post-13970","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faro","tag-panorama-faro"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2023\/06\/1686076504212.png?fit=1816%2C830&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/13970","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/15"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=13970"}],"version-history":[{"count":6,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/13970\/revisions"}],"predecessor-version":[{"id":13980,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/13970\/revisions\/13980"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/13979"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=13970"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=13970"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=13970"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=13970"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}