{"id":12966,"date":"2023-02-13T00:00:08","date_gmt":"2023-02-13T05:00:08","guid":{"rendered":"https:\/\/magazineampm.com\/?p=12966"},"modified":"2023-02-12T16:51:01","modified_gmt":"2023-02-12T21:51:01","slug":"vedado-state-milton-mcdonald-papa-humbertico","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/vedado-state-milton-mcdonald-papa-humbertico\/","title":{"rendered":"Vedado State \/ Milton McDonald, Pap\u00e1 Humbertico"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">If at the confluence of G Park your entourage was the one with the handkerchiefs in the pocket and the cap on the side, the baggy pants, the walk and the intimidating rhymes, you know who I'm talking about. You also know what the <\/span><i><span style=\"font-weight: 400;\">Vedado state of mind<\/span><\/i><span style=\"font-weight: 400;\">The melancholic feeling that took hold of the generations that lived through the \"decentralization\" of culture in the 90's and its repercussions throughout the 2000's.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The influence of the Western cultural maelstrom and the space that urban genres gradually gained favored the emergence of artists with a particular, innovative and contesting vision. And in the capital city of the island, in El Vedado, such characters began to nestle during a fertile period of hopes and dreams, few of which we saw fulfilled, before the smokescreen dissipated.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In this context, many met Milton McDonald, who between 2009 and 2012 was just a young man eager for experience. Those two years of sacrifice did not bring him fame, but some visibility. A decade later, however, the rapper emerged as a \"veteran\" in the abrupt history of Cuban rap, and released an album where the testimonial is, I dare to judge, the golden nugget. Published in alliance with Pap\u00e1 Humbertico <\/span><span style=\"font-weight: 400;\">\u2014<\/span><span style=\"font-weight: 400;\">producer of the phonogram and creator of the mythical Real 70<\/span><span style=\"font-weight: 400;\">\u2014<\/span><span style=\"font-weight: 400;\">the album's soundtrack is the classic <\/span><i><span style=\"font-weight: 400;\">trip-hop<\/span><\/i><span style=\"font-weight: 400;\"> with 4\u00d74 tempo, crossed by the <\/span><i><span style=\"font-weight: 400;\">rap-fusion<\/span><\/i><span style=\"font-weight: 400;\"> and some isolated presence of <\/span><i><span style=\"font-weight: 400;\">drill<\/span><\/i><span style=\"font-weight: 400;\">. The references of this work are obvious: Nach (Spain), Control Machete (Mexico) and B\u00e1rbaro el Urbano Vargas (Cuba).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The central thesis of <\/span><i><span style=\"font-weight: 400;\">Vedado State <\/span><\/i><span style=\"font-weight: 400;\">(Real 70 Producciones, 2022) is composed of the stories of that time, narrated through a prism of longing. Although the stories told are Milton's experiences, he presents them in a way that allows us to extrapolate them to our own memories.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The sequence does not have a particularly inflexible track order, but if we are going to listen to it, it is necessary to start with the <\/span><i><span style=\"font-weight: 400;\">Intro<\/span><\/i><span style=\"font-weight: 400;\">. It is precisely on this subject that Milton conceptualizes his proposal and declares: \"El Vedado is not just a neighborhood, it is a state of mind\". Do you know that the first impression is the one that counts? Well, the first single of this album \"sells you the bike\", because of how well achieved it is (too bad it lasts so little). Piano, <\/span><i><span style=\"font-weight: 400;\">riffs<\/span><\/i><span style=\"font-weight: 400;\"> of synthesizers, and trumpets in an amalgamation of <\/span><i><span style=\"font-weight: 400;\">trip-hop<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">Lo-fi, <\/span><\/i><span style=\"font-weight: 400;\">while Milton's voice emerges, clean, with a cadence that is perfectly in tune with the background.\u00a0\u00a0\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=OLAK5uy_kf_5xkVF8OR35sCavyZz9WvSYTPnga0VY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">However, in the course of the disc, something happens: after the <\/span><i><span style=\"font-weight: 400;\">Intro<\/span><\/i><span style=\"font-weight: 400;\">We are left with high expectations and we will not see them satisfied until the fourth track, <\/span><i><span style=\"font-weight: 400;\">I have already forgiven<\/span><\/i><span style=\"font-weight: 400;\">. There, for the first time, we notice a change that comes from the conjugation of three elements: the <\/span><i><span style=\"font-weight: 400;\">beat<\/span><\/i><span style=\"font-weight: 400;\">the piano and the synthesizer. The detail is in the cohesion, in the way in which the gaps between the <\/span><i><span style=\"font-weight: 400;\">riffs<\/span><\/i><span style=\"font-weight: 400;\">. We have already heard the result, it is the <\/span><i><span style=\"font-weight: 400;\">background<\/span><\/i><span style=\"font-weight: 400;\"> that tells you a street story.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">From there, if we are going to keep the highlights, we move immediately to the ninth track: <\/span><i><span style=\"font-weight: 400;\">No face, no case<\/span><\/i><span style=\"font-weight: 400;\">the most charged theme of the album. If you think the lyrics say it all, it's because you haven't listened carefully to the melody. Pap\u00e1 Humbertico repeats the same formula but with more weight. The elements this time are coordinated to mark an intention of persecution, of siege, with an ostinato that, although at the beginning is very subtle, does not go unnoticed.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I would also like to point out the similarity in composition between the second theme and the first one. <\/span><i><span style=\"font-weight: 400;\">Who's next<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">I turn one on<\/span><\/i><span style=\"font-weight: 400;\">which closes the album. The difference lies in the piano; I like to think it's a kind of strategy.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Having said that, I notice that the sound base of the album is prominently flat. In that sense, it seems to me that, indeed, there was not much room for innovative fusions in a referential album, i.e., where the intention is to reproduce the <\/span><i><span style=\"font-weight: 400;\">backgrounds<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">beats<\/span><\/i><span style=\"font-weight: 400;\"> of the 90's and early 2000's. Even so, both Milton McDonald and Pap\u00e1 Humbertico try certain experiments on the album while remaining conservative within the genre. The material summarizes the former's career and makes it clear that both still have good rhymes to contribute. They also manage to condense with their urban lyrics the feelings of many Cubans who share their spaces, adversities and dreams.\u00a0<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p> Milton McDonald released an album where the testimonial is the golden nugget. Released in alliance with Pap\u00e1 Humbertico -producer of the phonogram and creator of the mythical Real 70-, the sound line of the album is the classic trip-hop with 4\u00d74 tempo, crossed by rap-fusion and some isolated presence of drill. <\/p>","protected":false},"author":1587,"featured_media":12968,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[25],"tags":[9550,8362,7850,9551],"coauthors":[9388],"class_list":["post-12966","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-resenas","tag-milton-mcdonald","tag-papa-humbertico","tag-rap-cubano","tag-vedado-state"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2023\/02\/Milton-y-Humbertico-_-portada_baja-scaled.jpg?fit=1200%2C548&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/12966","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/1587"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=12966"}],"version-history":[{"count":3,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/12966\/revisions"}],"predecessor-version":[{"id":12970,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/12966\/revisions\/12970"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/12968"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=12966"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=12966"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=12966"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=12966"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}