{"id":12294,"date":"2022-10-04T00:00:45","date_gmt":"2022-10-04T04:00:45","guid":{"rendered":"https:\/\/magazineampm.com\/?p=12294"},"modified":"2022-10-05T12:15:52","modified_gmt":"2022-10-05T16:15:52","slug":"desde-chile-imesur-2022-registrando-sonidos-en-extincion","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/desde-chile-imesur-2022-registrando-sonidos-en-extincion\/","title":{"rendered":"From Chile, IMESUR 2022: recording sounds in extinction"},"content":{"rendered":"

One of the most relevant events within the creative industries worldwide is just around the corner. Every year, this event focuses on a country belonging to Latin America, and this 2022 will be focused on Chile; likewise, it will return to presence between October 12 and 15 with a series of fundamental milestones for the various agents that make up the musical ecosystem.\u00a0<\/span><\/p>\n

In addition to the IMESUR Business Roundtable, the meeting will develop brief meetings between artists, festival programmers, media agencies and record labels, thus displaying a grid of conversations, panels and workshops focused on Connection, Synchronization and Musical Supervision, Equity, and New Technologies; fundamental axes to address the problems and urgencies of the sector, and also, to raise those proposals and resolutions that arise in these days.\u00a0<\/span><\/p>\n

We already have from here with its official program.\u00a0<\/span><\/p>\n

2022 SCHEDULE<\/b><\/p>\n

Wednesday the 12th<\/span> October begins with the Business Roundtable <\/span>IMESUR<\/span><\/a>. The day continues at 2:00 p.m. with the \u201cSpotify Classroom\u201d, centered <\/span>in showing the audience the tools and functions available in the app<\/span> Spotify for Artists<\/span><\/i> for artists to have more information about their <\/span>performance<\/span><\/i>, they can get to know their audiences better and boost their careers. This activity requires prior registration.\u00a0<\/span><\/p>\n

\"\"<\/p>\n

The day continues with <\/span>workshop <\/span>Digital stores, strategies that cross borders,<\/span><\/i> available by <\/span>streaming<\/span><\/i> on the event website; Y <\/span>Functioning and objective of large publishers with growing artists<\/span><\/i>, presented by Chinelo Entertainment, also via <\/span>on-line.<\/span><\/i> To close the day, Altafonte will raise the panel <\/span>Internationalization and strategies: a look from digital distribution<\/span><\/i>.<\/b>\u00a0<\/span><\/p>\n

On Thursday, October 13, it will begin with <\/span>Listening session with music supervisors from around the world<\/span><\/i>. Simultaneously, emphasis will be placed on promoting the positioning of artistic projects through spaces such as the panel <\/span>Gaps for music synchronization in the audiovisual industry<\/span><\/i>, in the hands of Chilecreativo and SANFIC. Among the nine activities to be carried out that day, is the conversation entitled <\/span>Get ready to sync<\/span><\/i> by Control Freaks and webcast. Then it's the conference's turn. <\/span>Roles and functions of music supervision for film and advertising,<\/span><\/i> also available on the event site.\u00a0<\/span><\/p>\n

Finally, on the 15th, from 7:00 p.m., we will live the long-awaited final show <\/span>Sounds in Extinction<\/span><\/i>, an unprecedented and free show that will be recorded in an audiovisual production of the artists, in alliance with Quijote Films, and in which six outstanding local artists will be registered: Kinetica, Rubio, Natis\u00fa, Masquemusica, Andy and Hordatoj. This show has free tickets with prior registration <\/span>HERE<\/span><\/a>. Seats are limited.\u00a0<\/span><\/p>","protected":false},"excerpt":{"rendered":"

Every year, this event focuses on a country belonging to Latin America, and this 2022 will be focused on Chile. <\/p>","protected":false},"author":1514,"featured_media":12295,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8172],"tags":[8189,9411],"coauthors":[8171],"class_list":["post-12294","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faro","tag-faro","tag-imesur"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2022\/10\/IMESUr-scaled.jpg?fit=1200%2C548&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/12294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/1514"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=12294"}],"version-history":[{"count":1,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/12294\/revisions"}],"predecessor-version":[{"id":12297,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/12294\/revisions\/12297"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/12295"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=12294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=12294"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=12294"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=12294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}