{"id":12125,"date":"2022-09-17T15:14:52","date_gmt":"2022-09-17T19:14:52","guid":{"rendered":"https:\/\/magazineampm.com\/?p=12125"},"modified":"2022-09-17T15:14:52","modified_gmt":"2022-09-17T19:14:52","slug":"panorama-agosto-uruguay","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/panorama-agosto-uruguay\/","title":{"rendered":"August Overview: Uruguay"},"content":{"rendered":"<p><strong>Kristel Latecki \/ <a href=\"https:\/\/www.piiila.com\/\" target=\"_blank\" rel=\"noopener\">Piiila<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>For Uruguay, August is a particular month, thanks to the Night of Nostalgia. The day before our Independence Day, the country goes out to party, originally to dance <i>oldies<\/i> (the <i>hits<\/i> of past decades), but with the incorporation of new outgoing generations, the proposals have been expanded to include even the Top 50 of Spotify. Thus, after two pandemic years, the Night of Nostalgia returned recharged, and a <a href=\"https:\/\/www.piiila.com\/agenda\" target=\"_blank\" rel=\"noopener\">night agenda that facing spring is being filled with proposals.\u00a0<\/a><\/strong><\/p>\n<p><strong>In other music news, <a href=\"https:\/\/www.piiila.com\/blog\/conoce-las-nominaciones-de-las-20a-edicion-de-los-premios-graffiti\" target=\"_blank\" rel=\"noopener\">Graffiti Awards announced the nominees for its 20th edition<\/a>. With seven nominations <i>You will not like it<\/i> was positioned as the candidate of the year. follow him <i>Wolf Girl<\/i> and <i>Kuropa<\/i> with six, and <i>Killer Peyote<\/i> and <i>Gaston &quot;Dino&quot; Ciarlo<\/i> \u2013with his posthumous album\u2013 with five nominations. The award ceremony will be divided into two ceremonies, on September 16 in Durazno and on October 11 in Montevideo.<\/strong><\/p>\n<p><strong>Without further ado, these were five of this month&#039;s releases.<\/strong><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/Rk7q8_NJNVo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Meanwhile, in Montevideo\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/5OhuNy1v0B1lDeDTjLHIHp?si=kDdH7IoKQ2uAa0gtmR8z4g&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">Starting over from scratch after having a career and an established name is no easy task. But <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Gonzalo+Deniz\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Gonzalo Deniz<\/span><\/a><span style=\"font-weight: 400;\"> He decided to treat her the same way. After 15 years, six albums, two soundtracks and <\/span><a href=\"https:\/\/www.piiila.com\/blog\/festival-nucleo-distante-la-union-hace-la-fuerza\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">collaborations with artists from various parts of Latin America<\/span><\/a><span style=\"font-weight: 400;\">, in November last year he took the stage for the last time as <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Franny+Glass\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Franny Glass<\/span><\/a><span style=\"font-weight: 400;\">, and got off carrying his own name. But he also took some of those songs. <\/span><i><span style=\"font-weight: 400;\">Meanwhile, in Montevideo<\/span><\/i><span style=\"font-weight: 400;\"> It&#039;s an album he recorded to go out and play. There are 12 versions of songs from different moments of his career, including compositions for the band Mersey and a collaboration he made with <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Luciano+Supervielle\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Luciano Supervielle<\/span><\/a><span style=\"font-weight: 400;\"> in 2011\u2013, seen from a new perspective and with a new sound, more acoustic, direct and visceral. More faithful to what is alive. But also, new songs came out in the process, six in total. They show the composer exploring, searching and finding new ways to tell his stories, surprising even himself. Prior to his new debut in society at the mythical Teatro Sol\u00eds, we talked to him about this album. <\/span><a href=\"https:\/\/www.piiila.com\/blog\/gonzalo-deniz-mientras-tanto\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">You can read the interview here.<\/span><\/a><\/p>\n<p><b>MORE RELEASES<\/b><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/OLBgfo62lLg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Three-Dimensional\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2rnkMGJu8hiWTbDgPUCN1l?si=T2C57sB8QqGPYAD8Lf9WhA&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><b>Paul Higgs- <\/b><b><i>three dimensional<\/i><\/b><b>: <\/b><span style=\"font-weight: 400;\">In his last job, <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Paul+Higgs\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Paul Higgs<\/span><\/a> <span style=\"font-weight: 400;\">he set out to capture its essence. After all, since 2014 he&#039;s been dishing it out across an unmeasurable number of albums, EPs and <\/span><i><span style=\"font-weight: 400;\">singles<\/span><\/i><span style=\"font-weight: 400;\">, under his name and that of his band <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Algod%C3%B3n\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Cotton<\/span><\/a><span style=\"font-weight: 400;\">. But for his second job with the Argentine label Queruza, and the first for the local Little Butterfly Records, he concentrated his interests, his eccentricities and the different facets of his sound in eight songs, produced together with <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Mart%C3%ADn+Buscaglia\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Martin Buscaglia<\/span><\/a><span style=\"font-weight: 400;\">. This duo made in musician heaven achieved its goal and in the process produced several <\/span><i><span style=\"font-weight: 400;\">hits<\/span><\/i><span style=\"font-weight: 400;\">: <\/span><i><span style=\"font-weight: 400;\">not even there<\/span><\/i><span style=\"font-weight: 400;\">, an infectious and irreverent funk; <\/span><i><span style=\"font-weight: 400;\">random music<\/span><\/i><span style=\"font-weight: 400;\">, a moment of epic voices forged by <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Charlie\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Charlie<\/span><\/a><span style=\"font-weight: 400;\"> and <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Leandro+Aquistapacie\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Leandro Aquistapacie<\/span><\/a><span style=\"font-weight: 400;\"> (aka Hydrofoil); Y <\/span><i><span style=\"font-weight: 400;\">I feel<\/span><\/i><span style=\"font-weight: 400;\">, a hymn of self-awareness.<\/span> <a href=\"https:\/\/www.piiila.com\/blog\/la-esencia-de-paul-higgs-en-forma-tridimensional\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">About all this we chatted with him<\/span><\/a><span style=\"font-weight: 400;\">, before his live performance twice: at La Trastienda in Montevideo and at Niceto in Buenos Aires.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/cT_i0ELcH0Y\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: 1990\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/4oBEsetdltXNnOMT1t61QU?si=psBBlTcdTwSwCAhjrZ2ybQ&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><b>Mocchi- <\/b><b><i>1990<\/i><\/b><b>: <\/b><span style=\"font-weight: 400;\">30 years have passed of a decade that was devastating for Uruguay. <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Mocchi\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Mocchi<\/span><\/a><span style=\"font-weight: 400;\"> he had that in mind when he named his album <\/span><i><span style=\"font-weight: 400;\">1990<\/span><\/i><span style=\"font-weight: 400;\">; not only because of the year he was born, but also because history repeats itself, and he needs this not to be forgotten. This work brings together songs that he played live countless times, in those many tours that he made throughout various parts of Latin America, going wherever his songs were requested. And they, which also have the participation of artists such as Susy Shock, El Plan de la Mariposa, Julieta Laso and Christian Cary, are powerful and profound, reflective and even rebellious. And it is to them that he owes and dedicates everything to them from the first verses he sings in <\/span><i><span style=\"font-weight: 400;\">Intro<\/span><\/i><span style=\"font-weight: 400;\">: \u201cI give thanks to the songs that give me the privilege\u201d.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Who?\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/4JZrsx237fEWfMx9ZCEPpA?si=bf12c4dd9d1b4ad8&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><b>Sylvia Meyer- <\/b><b><i>Who?<\/i><\/b><i><span style=\"font-weight: 400;\">:<\/span><\/i><span style=\"font-weight: 400;\"> Sylvia Meyer is one of the Montevideo composers who have left an indelible mark on Uruguayan music. Whether through his songs or in compositions for theater, cinema and video art, his music moves and captivates. Based in New York for years, she will return to Montevideo to celebrate her work at the Sol\u00eds Theater. But first he will give us a new album, 40 years after his debut<\/span><i><span style=\"font-weight: 400;\">. Who?<\/span><\/i><span style=\"font-weight: 400;\"> It will be the name and it is the first advance, which with the piano as a base manages to stop time.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/mpvrZgLKFIE\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><b>Rossana Taddei \u2013 <\/b><b><i>Repair<\/i><\/b><b>: <\/b><span style=\"font-weight: 400;\">In March of this year, <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Rossana+Taddei\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">rossana taddei<\/span><\/a><span style=\"font-weight: 400;\"> offered a <\/span><i><span style=\"font-weight: 400;\">show<\/span><\/i><span style=\"font-weight: 400;\"> which was a celebration and a farewell. The artist turned 53 years old, 37 of them on stage and 15 with her duo project MINIMALmambo; and then he would return to his second (or rather first) home in Switzerland. There he premiered <\/span><i><span style=\"font-weight: 400;\">Repair<\/span><\/i><span style=\"font-weight: 400;\">, an unpublished song that is now his first <\/span><i><span style=\"font-weight: 400;\">single<\/span><\/i><span style=\"font-weight: 400;\"> of this year. The recording is precisely from that show, and according to the music it has an almost medicinal quality. \u00abI composed it in one go one morning and I sang it many times, feeling that in it I was repairing myself, rebuilding, reinventing, healing in some way\u00bb.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/magazineampm.com\/en\/panorama-agosto-argentina\/\">ARGENTINA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-agosto-bolivia\/\">BOLIVIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-agosto-brasil\/\">BRAZIL<\/a>\u00a0| <a href=\"https:\/\/magazineampm.com\/en\/panorama-agosto-cuba\/\">CUBA<\/a> |\u00a0<a href=\"https:\/\/magazineampm.com\/en\/panorama-agosto-mexico\/\">MEXICO<\/a>| <a href=\"https:\/\/magazineampm.com\/en\/panorama-agosto-peru\/\">PERU<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-agosto-uruguay\/\">URUGUAY<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Kristel Latecki \/ Piiila &nbsp; Para Uruguay, agosto es un mes particular, gracias a la Noche de la Nostalgia. El d\u00eda previo a nuestro D\u00eda de la Independencia, el pa\u00eds sale de fiesta, originalmente a bailar oldies (los hits de d\u00e9cadas pasadas), pero con la incorporaci\u00f3n de nuevas generaciones salideras, las propuestas se han ampliado [&hellip;]<\/p>\n","protected":false},"author":1514,"featured_media":12154,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8172],"tags":[],"coauthors":[8171],"class_list":["post-12125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faro"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2022\/09\/Uruguay-Panorama-agosto-scaled.jpg?fit=1200%2C548&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/12125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/1514"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=12125"}],"version-history":[{"count":3,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/12125\/revisions"}],"predecessor-version":[{"id":12138,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/12125\/revisions\/12138"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/12154"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=12125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=12125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=12125"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=12125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}