{"id":11731,"date":"2022-07-16T10:42:40","date_gmt":"2022-07-16T14:42:40","guid":{"rendered":"https:\/\/magazineampm.com\/?p=11731"},"modified":"2022-07-16T10:42:40","modified_gmt":"2022-07-16T14:42:40","slug":"panorama-junio-uruguay","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/panorama-junio-uruguay\/","title":{"rendered":"June Overview: Uruguay"},"content":{"rendered":"<p><strong>Kristel Latecki \/ <a href=\"https:\/\/www.piiila.com\/\" target=\"_blank\" rel=\"noopener\">Piiila<\/a><\/strong><\/p>\n<p><strong>The Uruguayan Institute of Meteorology (Inumet) announced that June was the coldest month in Uruguay since 1981, with three waves of polar cold and record frost. However, that extraordinary cold was not felt in the music or on stage. It will be because of the pandemic, the economic effects of the region and\/or the fervent desire to leave, but the <a href=\"https:\/\/www.piiila.com\/agenda\" target=\"_blank\" rel=\"noopener\">cultural agenda<\/a> is exploding from <i>shows<\/i> live national and international, and parties until dawn.\u00a0<\/strong><\/p>\n<p><strong>We will undoubtedly have several more months of cold, but there will be no shortage of proposals to cross it, and even enjoy it.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Lair\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0FILbNF1PKyhytI0lJBRZR?si=9GYR6lIXR_-yPKvQpM3hkA&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">Mar\u00eda Viola made her composition known in the Maleza group and lent her talents as an instrumentalist to musicians such as <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Gonzalo+Deniz\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Gonzalo Deniz<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Diego+Presa\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">diego dam<\/span><\/a><span style=\"font-weight: 400;\">, <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Mart%C3%ADn+Buscaglia\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Martin Buscaglia<\/span><\/a><span style=\"font-weight: 400;\"> and <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Fabrizio+Rossi\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Fabrizio Rossi<\/span><\/a><span style=\"font-weight: 400;\">. However, this month he presented his songs for the first time as a soloist with the album <\/span><i><span style=\"font-weight: 400;\">Den<\/span><\/i><span style=\"font-weight: 400;\">. Soundly and friendly close to projects like <\/span><a href=\"https:\/\/www.piiila.com\/blog\/mansalva-musica-para-transformar\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Mansalva<\/span><\/a><span style=\"font-weight: 400;\"> and <\/span><a href=\"https:\/\/www.piiila.com\/blog\/2021\/4\/12\/animales-de-poder-el-silencio-esconde-algo\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Power Animals<\/span><\/a><span style=\"font-weight: 400;\">, Mar\u00eda&#039;s music is constructed (or paraphrasing <\/span><i><span style=\"font-weight: 400;\">Tangle<\/span><\/i><span style=\"font-weight: 400;\">, is darned or braided) fundamentally with acoustic elements and references to Uruguayan folklore and popular music. Over guitars and percussions that sound like open hands, a polished and brilliant voice appears, which only in brief significant moments decides to bristle or break, and that finds accompaniment in whispered echoes of choirs. In just six songs he welcomes and receives his captivating sound universe with open hands. Songs that in his words are \u201crefuge, cry and territory, landscapes inside and outside the world\u201d.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>MORE RELEASES<\/b><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Not even there\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/4ED6n19LDyErFdRH1whJs8?si=2154133c608c4e09&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><b>Paul Higgs- <\/b><b><i>not even there<\/i><\/b><i><span style=\"font-weight: 400;\">: <\/span><\/i><span style=\"font-weight: 400;\">Someone dared to tell <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Paul+Higgs\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Paul Higgs<\/span><\/a><span style=\"font-weight: 400;\"> to give up funk. And as an ironic response, the musician decided to make one of the best <\/span><i><span style=\"font-weight: 400;\">tracks<\/span><\/i><span style=\"font-weight: 400;\"> what have you done so far: <\/span><i><span style=\"font-weight: 400;\">Nor there.<\/span><\/i><span style=\"font-weight: 400;\"> This is the first cut of his second official LP that will bear the name of <\/span><i><span style=\"font-weight: 400;\">three dimensional<\/span><\/i><span style=\"font-weight: 400;\"> and will be released by the labels Queruza from Argentina and Little Butterfly Records from Uruguay. &quot;This is resistance music,&quot; says Paul. \u201cThe lyrics are based on their own experiences and digressions, but anyone could find what they want to reveal themselves to and also emit the cry of NOT THERE to the sound of the <\/span><i><span style=\"font-weight: 400;\">track<\/span><\/i><span style=\"font-weight: 400;\">&quot;<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/X346i6SgcPQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><b>Eli Almik \u2013 <\/b><b><i>I&#039;m Eli: <\/i><\/b><span style=\"font-weight: 400;\">The new <\/span><i><span style=\"font-weight: 400;\">track<\/span><\/i><span style=\"font-weight: 400;\"> by <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Eli+Almic\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Eli Almik<\/span><\/a><span style=\"font-weight: 400;\"> It has her as the protagonist. Opening the book of its history and on a base created by the producer and DJ <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Tinitus\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Tinnitus<\/span><\/a><span style=\"font-weight: 400;\">, in <\/span><i><span style=\"font-weight: 400;\">I&#039;m Eli<\/span><\/i><span style=\"font-weight: 400;\"> He tells us about his childhood and his achieved dreams. \u201cMy grandmother, the conga, the rebellion against my mother, growing up, dressing with what there is. Scratching a lot of the lice that kept coming back, wanting to be, wanting to belong. Connecting with that girl who plays and for a while is all she dreams of and sees on TV. There are dreams that are still intact, somehow\u201d, says the artist.\u00a0<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Always\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2YgEjGxsGY2gQVHie6JABY?si=Xu53VPSFRI2eZZGwqzr6rQ&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><b>Tadu Vazquez and Facundo Balta \u2013 <\/b><b><i>Always:<\/i><\/b> <span style=\"font-weight: 400;\">After releasing an excellent album in January, multi-instrumentalist Facundo Balta returns with a new song with producer Tadu V\u00e1zquez. Romanticism and dance are well present in <\/span><i><span style=\"font-weight: 400;\">Always<\/span><\/i><span style=\"font-weight: 400;\">, a <\/span><i><span style=\"font-weight: 400;\">dembow<\/span><\/i><span style=\"font-weight: 400;\"> subtle where not only Facundo&#039;s ductile voice shines, but also offers more rapped moments. According to the musician on Twitter, he composed the <\/span><i><span style=\"font-weight: 400;\">track<\/span><\/i><span style=\"font-weight: 400;\"> one hour after receiving <\/span><i><span style=\"font-weight: 400;\">beat.<\/span><\/i><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Call\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/633it4tdwV5kB7WvwQsr5H?si=e52e3a29e80249f4&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><b>Estela Magnone- <\/b><b><i>Call<\/i><\/b><b>: <\/b><span style=\"font-weight: 400;\">Finally, <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Estela+Magnone\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Stella Magnone<\/span><\/a><span style=\"font-weight: 400;\"> is preparing for his new album <\/span><i><span style=\"font-weight: 400;\">ties<\/span><\/i><span style=\"font-weight: 400;\">, a work made up of versions of their own songs with guest artists, such as Cristina Fern\u00e1ndez and Malena Muyala. The first preview is <\/span><i><span style=\"font-weight: 400;\">Call<\/span><\/i><span style=\"font-weight: 400;\">, a song co-created with Eduardo Mateo, and that brings to the present his extensive experience and his fine ear in choral arrangements. The voices that accompany her are Mateo Magnone, Mayra Hugo, her partner in the legendary trio Traves\u00eda, and her brother Daniel Magnone, who passed away last May.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/magazineampm.com\/en\/panorama-junio-argentina\/\">ARGENTINA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-junio-bolivia\/\">BOLIVIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-junio-brasil\/\">BRAZIL<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-junio-chile\/\">CHILE<\/a> |<a href=\"https:\/\/magazineampm.com\/en\/panorama-junio-colombia\/\">COLOMBIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-junio-cuba\/\">CUBA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-junio-espana\/\">SPAIN <\/a>| <a href=\"https:\/\/magazineampm.com\/en\/panorama-junio-mexico\/\">MEXICO<\/a>| <a href=\"https:\/\/magazineampm.com\/en\/panorama-junio-peru\/\">PERU <\/a>| <a href=\"https:\/\/magazineampm.com\/en\/panorama-junio-uruguay\/\">URUGUAY<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Kristel Latecki \/ Piiila El Instituto Uruguayo de Meteorolog\u00eda (Inumet) anunci\u00f3 que junio fue en Uruguay el mes m\u00e1s fr\u00edo desde 1981, con tres olas de fr\u00edo polar y r\u00e9cord de heladas. Sin embargo, ese fr\u00edo extraordinario no se sinti\u00f3 ni en la m\u00fasica ni en los escenarios. Ser\u00e1 por la pandemia, los efectos econ\u00f3micos [&hellip;]<\/p>\n","protected":false},"author":1514,"featured_media":11728,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8172],"tags":[9317,9315,9319,8469,9318,8195,9316,9320],"coauthors":[8171],"class_list":["post-11731","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faro","tag-eli-almic","tag-estela-magnone","tag-maria-viola","tag-panorama-faro","tag-paul-higgs","tag-piiila","tag-tadu-vazquez-y-facundo-balta","tag-uruguay"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2022\/07\/Panorama-Uruguay-junio-scaled.jpg?fit=1200%2C548&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11731","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/1514"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=11731"}],"version-history":[{"count":1,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11731\/revisions"}],"predecessor-version":[{"id":11740,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11731\/revisions\/11740"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/11728"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=11731"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=11731"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=11731"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=11731"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}