{"id":11498,"date":"2022-06-18T10:00:09","date_gmt":"2022-06-18T14:00:09","guid":{"rendered":"https:\/\/magazineampm.com\/?p=11498"},"modified":"2022-06-20T13:00:19","modified_gmt":"2022-06-20T17:00:19","slug":"panorama-mayo-brasil","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/panorama-mayo-brasil\/","title":{"rendered":"May Outlook: Brazil"},"content":{"rendered":"<p><strong>By <a href=\"https:\/\/twitter.com\/screamyell\" target=\"_blank\" rel=\"noopener\">Marcelo Costa<\/a> \/\u00a0 <a href=\"http:\/\/screamyell.com.br\/site\/\" target=\"_blank\" rel=\"noopener\">Scream &amp; Yell<\/a><\/strong><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=OLAK5uy_nDtuTfHaRgxqobCF4Q4p9pREPxilP7wu0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Criolo&#039;s fifth album began to be thought of a little over a year ago in this chaotic scenario of the pandemic Brazil. The initial idea was to call it <\/span><i><span style=\"font-weight: 400;\">Kaos Diary<\/span><\/i><span style=\"font-weight: 400;\"> (title of the opening theme), with K, for Kleber Cavalcante Gomes, the rapper&#039;s given name. The title has changed, but this is still a diary about Brazil today, about our times, from the complex and intelligent point of view of the artist responsible for the <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2020\/01\/06\/os-50-discos-nacionais-dos-anos-10\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">second most important album of the last decade in Brazil<\/span><\/a><span style=\"font-weight: 400;\"> (according to a survey by Scream &amp; Yell, which brought together 100 people from the world of journalism and music).<\/span><\/p>\n<p><a href=\"https:\/\/www.youtube.com\/playlist?list=OLAK5uy_nDtuTfHaRgxqobCF4Q4p9pREPxilP7wu0\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">About Living<\/span><\/i><\/a><span style=\"font-weight: 400;\"> It is perhaps the most painful album of Criolo&#039;s entire career, due to its sincerity and openness. It is as if the artist showed us the exposed wounds and made songs with them (<\/span><a href=\"https:\/\/bit.ly\/CrioloSobreViver\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">know the album song by song<\/span><\/a><span style=\"font-weight: 400;\">). We often tend to understand rap as a chronicle of our time, and Criolo makes poetry of our time.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Rap is officially the central theme of the album, and it is from Criolo&#039;s verses that the other sound connections of the album unfold. At under 40 minutes, this is a powerful piece of work that unfolds in different ways. From now on, one of the great Brazilian albums of 2022, write <\/span><a href=\"https:\/\/twitter.com\/_renanguerra\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Renan War<\/span><\/a><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<p><b>MORE RELEASES\u00a0<\/b><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/H39yTS2380g\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><b>\u00a0Alaide Costa <\/b><b>-<\/b> <b><i>O Que Meus Calos Dizem About Me: <\/i><\/b><span style=\"font-weight: 400;\">A singer who began a brilliant career in 1956, Ala\u00edde launches, at 86 years old, an incredible album of samba and timeless Brazilian music produced by rapper Emicida together with producer Marcos Pretto under the musical direction of Pupillo (ex-Na\u00e7\u00e3o Zumbi). <\/span><a href=\"https:\/\/www.youtube.com\/playlist?list=OLAK5uy_nuwVhv6NvAgVYYmbuI2Q4Y2BOcvRiMbO4\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Listen<\/span><\/a><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: LOVE\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/7jkjz26rWgDQQjqShV74Fl?utm_source=oembed\"><\/iframe><\/div>\n<p><b>\u00a0Andre Abujamra <\/b><b>-<\/b><b><i>Love<\/i><\/b><b>: <\/b><span style=\"font-weight: 400;\">Andr\u00e9 is, in an adjective worn out by so much misuse, a genius who began his career in the 80s with the band Mulheres Negras and, in the 90s, created the sensational Karnak. Abujamra is a tireless creator who, in his solo career, continues to deliver musical gems like this <\/span><i><span style=\"font-weight: 400;\">Love<\/span><\/i><span style=\"font-weight: 400;\">, an absolutely magical album.<\/span> <a href=\"https:\/\/smarturl.it\/AMORAbu\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">listen here<\/span><\/a><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/73BhJRVJBt4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><b>\u00a0Jair Naves <\/b><b>-<\/b><b><i>Obfuscating A Beleza Que Eu Vejo<\/i><\/b><b>: <\/b><span style=\"font-weight: 400;\">In his fifth studio album, a direct result of the suffocating uncertainties of the pandemic and of living under the shadow of a genocidal government, Jair Naves unites his refined poetry with rage, experimentation, sound manipulation, delicacy and violence. honoring his important career as a troubadour. <\/span><a href=\"https:\/\/ditto.fm\/ofuscante-a-beleza-que-eu-vejo\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Discover the album<\/span><\/a><span style=\"font-weight: 400;\"> and read one <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2022\/06\/06\/entrevista-jair-naves-se-redescobre-no-caos-sonoro-de-seu-novo-disco-ofuscante-a-beleza-que-eu-vejo\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">honest and moving interview<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/mv4DeII6500\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><b>Rats of Por\u00e3o <\/b><b>- <\/b><b><i>Necropolitics:<\/i><\/b> <span style=\"font-weight: 400;\">Another tense \/ dense album that was born from the mismanagement of the health crisis in Brazil (we did not have to fight against one disease, but against two: Covid-19 and the president), the thrash metal combo&#039;s 13th album reviews the climates from the classic album<\/span><i><span style=\"font-weight: 400;\"> Brazil<\/span><\/i><span style=\"font-weight: 400;\"> (1989) while dealing blows to fascists, religious, neo-Nazis and followers of Bolsonaro. <\/span><a href=\"https:\/\/onerpm.link\/AlbumNecropolitica\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Listen<\/span><\/a><span style=\"font-weight: 400;\"> and come <\/span><a href=\"http:\/\/bit.ly\/RatosdePorao2022\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">to read an interview<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><strong>MORE CULTURE:<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Those who lived their 20s at the turn of the millennium are already beginning to have their first gray hairs, to take their health a little more seriously and to feel a certain nostalgia (although it may pass quickly) for the adventures of their youth. Precisely because of this nostalgia, the comic <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2022\/05\/23\/entrevista-thiago-krening-fala-sobre-sua-hq-um-lugar-do-caralho\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Um Lugar do Caralho<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">,<\/span><\/i> <span style=\"font-weight: 400;\">by Thiago Krening, tries to catch the reader by telling the story of a group of young friends, university students in Santa Maria. Krening provokes a whirlwind of memories in those who lived the first years of the 2000s in the south of Brazil and, why not, in other regions of the country and Latin America. <\/span><i><span style=\"font-weight: 400;\">A place of Caralho<\/span><\/i> <a href=\"https:\/\/hipotetica.com.br\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">is the first launch of the hypothetical publisher<\/span><\/a><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/magazineampm.com\/en\/panorama-mayo-argentina\/\">ARGENTINA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-mayo-bolivia\/\">BOLIVIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-mayo-brasil\/\">BRAZIL<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-mayo-cuba\/\">CUBA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-mayo-espana\/\">SPAIN<\/a>| <a href=\"https:\/\/magazineampm.com\/en\/panorama-mayo-uruguay\/\">URUGUAY<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Por Marcelo Costa \/\u00a0 Scream &amp; Yell El quinto \u00e1lbum de Criolo comenz\u00f3 a pensarse hace poco m\u00e1s de un a\u00f1o en este ca\u00f3tico escenario del Brasil pand\u00e9mico. La idea inicial era llamarlo Di\u00e1rio do Kaos (t\u00edtulo del tema de apertura), con K, por Kleber Cavalcante Gomes, el nombre de pila del rapero. El t\u00edtulo [&hellip;]<\/p>\n","protected":false},"author":1514,"featured_media":11481,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8172],"tags":[9197,9198,455,9196,8189,9199,9200,8471,9202,9201],"coauthors":[8171],"class_list":["post-11498","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faro","tag-alaide-costa","tag-andre-abujamra","tag-brasil","tag-criolo","tag-faro","tag-jair-naves","tag-ratos-de-porao","tag-scream-yell","tag-thiago-krening","tag-um-lugar-do-caralho"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2022\/06\/Panorama-Brasil-Mayo.jpg?fit=1816%2C830&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11498","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/1514"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=11498"}],"version-history":[{"count":5,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11498\/revisions"}],"predecessor-version":[{"id":11556,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11498\/revisions\/11556"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/11481"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=11498"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=11498"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=11498"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=11498"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}