{"id":11245,"date":"2022-05-17T08:37:08","date_gmt":"2022-05-17T12:37:08","guid":{"rendered":"https:\/\/magazineampm.com\/?p=11245"},"modified":"2022-05-17T08:37:08","modified_gmt":"2022-05-17T12:37:08","slug":"panorama-abril-argentina","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/panorama-abril-argentina\/","title":{"rendered":"April Outlook: Argentina"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>By Juampa Barbero | <a href=\"https:\/\/indiehoy.com\/\" target=\"_blank\" rel=\"noopener\">indie today<\/a><\/strong><\/p>\n<p><strong>April was the month where we finally got to hear some releases we&#039;ve been waiting for a long time. At the same time, there was music that took us by surprise, dazzling collaborations, unforeseen comebacks and albums that do not stop playing on <i>loop<\/i>. All this and much more in our monthly review that we detail below:<\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"font-weight: 400;\">\u00a0<iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/Q3mcZcJJu7k\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/span><\/p>\n<p><span style=\"font-weight: 400;\">The wait is over: Babas\u00f3nicos<\/span> <span style=\"font-weight: 400;\">released the long-awaited successor to <\/span><a href=\"https:\/\/indiehoy.com\/noticias\/babasonicos-publico-nuevo-disco-discutible\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Debatable<\/span><\/i><\/a><span style=\"font-weight: 400;\"> (2018). Edited by Popartdiscos, <\/span><a href=\"https:\/\/indiehoy.com\/noticias\/babasonicos-publica-nuevo-disco-trinchera\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Trench<\/span><\/i><\/a><span style=\"font-weight: 400;\"> It consists of 11 songs that reflect the group&#039;s temperamental ambivalence, interspersing sharp criticism, deep meditations and polarized feelings for 37 minutes. The artistic production was in charge of the band and Gustavo Iglesias, who was in charge of recording and mixing.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/7tRcMaRnuGo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">After the <\/span><i><span style=\"font-weight: 400;\">singles <\/span><\/i><a href=\"https:\/\/indiehoy.com\/entrevistas\/sara-hebe-habla-sobre-su-cancion-mexico-lo-mio-siempre-fue-mas-hardcore-ahora-estoy-en-otro-momento\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Mexico<\/span><\/i><\/a><span style=\"font-weight: 400;\"> and <\/span><a href=\"https:\/\/indiehoy.com\/noticias\/9-lanzamientos-para-escuchar-esta-semana-rosalia-marilina-bertoldi-julieta-venegas-sara-hebe-con-ana-tijoux-y-mas\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">data store<\/span><\/i><\/a><span style=\"font-weight: 400;\">, Sara Hebe shared the complete repertoire of her fifth album. <\/span><a href=\"https:\/\/indiehoy.com\/noticias\/9-lanzamientos-para-escuchar-esta-semana-wos-sara-hebe-buenos-vampiros-y-mas\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">dirty star<\/span><\/i><\/a><span style=\"font-weight: 400;\"> It consists of 14 songs that he produced with Ramiro Jota, and includes collaborations with Ana Tijoux, Rattlesnakke, Sassyggirl and The Colorated. Since <\/span><i><span style=\"font-weight: 400;\">Pure wachas<\/span><\/i><span style=\"font-weight: 400;\"> until <\/span><i><span style=\"font-weight: 400;\">Refix,<\/span><\/i><span style=\"font-weight: 400;\"> the rapper from Trelew demonstrates a very fresh version of her style, without losing her singular temperament.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/2YD2keMBTto\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">The platense duo <\/span><span style=\"font-weight: 400;\">Peces Raros baffled his audience by premiering a <\/span><i><span style=\"font-weight: 400;\">crossover <\/span><\/i><span style=\"font-weight: 400;\">with Thunder. Fascinated by the suggestion of Tatool, its producer, the spokesperson for La Boca resigned <\/span><i><span style=\"font-weight: 400;\">Hemlock<\/span><\/i><span style=\"font-weight: 400;\">, the opening of <\/span><a href=\"https:\/\/indiehoy.com\/discos\/peces-raros-dogma\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Dogma<\/span><\/i><\/a> <span style=\"font-weight: 400;\">(2021), by sharpening his verbiage over the <\/span><i><span style=\"font-weight: 400;\">stems<\/span><\/i><span style=\"font-weight: 400;\"> originals. The result: a version 2.0 that unfolds the forcefulness and immanent sleepwalking of the <\/span><i><span style=\"font-weight: 400;\">track<\/span><\/i><span style=\"font-weight: 400;\"> thanks to the explosive cohesion between these two dissimilar universes.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/nh39mD1GB9Q\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Defensa, the Buenos Aires futuristic pop duo made up of Furio and Garoto 3000, released their second studio album through the Yuukii Music label. <\/span><a href=\"https:\/\/indiehoy.com\/discos\/defensa-7-canciones-antes-de-que-nos-corten-la-luz\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">7 songs before they cut off our power<\/span><\/i><\/a> <span style=\"font-weight: 400;\">It has the special participation of vocalists such as Clara Cava, Faraonika and the Spanish Mar\u00eda Sioke. A nocturnal odyssey that takes us <\/span><span style=\"font-weight: 400;\">until the <\/span><span style=\"font-weight: 400;\">alba with interludes that enhance the most cinematographic and avant-garde side of the project.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/wG-yKNdAqnA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">In <\/span><a href=\"https:\/\/indiehoy.com\/noticias\/8-lanzamientos-para-escuchar-esta-semana-dillom-con-saramalacara-altocamet-wiranda-johansen-con-doppel-gangs-y-mas\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Achilles<\/span><\/i><\/a><span style=\"font-weight: 400;\">, Doppel Gangs is the special guest of Wiranda Johansen, who in addition to composing this sentimental ballad, directed the video together with Rafael Nir. After <\/span><a href=\"https:\/\/indiehoy.com\/noticias\/9-lanzamientos-argentinos-para-escuchar-esta-semana-lucy-patane-nicki-nicole-el-club-audiovisual-y-mas\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Spilled:):<\/span><\/i><\/a> <span style=\"font-weight: 400;\">and <\/span><a href=\"https:\/\/indiehoy.com\/noticias\/9-lanzamientos-argentinos-para-escuchar-esta-semana-marilina-bertoldi-nathy-peluso-ainda-con-bandalos-chinos-y-mas\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Puddle<\/span><\/i><\/a><span style=\"font-weight: 400;\">, the singer-songwriter of <\/span><a href=\"https:\/\/indiehoy.com\/listas\/los-50-mejores-discos-del-2020\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">wrapper<\/span><\/i><\/a><span style=\"font-weight: 400;\"> (2020) keeps one foot in the magic of dreams and the other in the kinetics of dance. A story as faded as it is brilliant that stages the vulnerability of romance through a surreal journey into the unknown.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/WkgHkrM9fo0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Much was said about the long-awaited <\/span><a href=\"https:\/\/indiehoy.com\/noticias\/bizarrap-y-paulo-londra-escucha-la-music-sessions-23\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Bizarrap Session #23<\/span><\/a><span style=\"font-weight: 400;\">, to the point that it is hard to believe that he is already with us. However, the star producer did not make it easy for his fans. After announcing the presence of Paulo Londra after two years away from music due to a contractual conflict with <\/span><span style=\"font-weight: 400;\">Ovy on the Drums, made it a requirement that their fans reach 23 million comments on the posting of their Instagram account. What seemed like a daring, in less than 24 hours became a reality. With this brand new collaboration, both referents reached the top of the <\/span><i><span style=\"font-weight: 400;\">ranking<\/span><\/i><span style=\"font-weight: 400;\"> world of Spotify, but even so the speculations continue.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/oufNg27cF0Q\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Uji premiered <\/span><a href=\"https:\/\/indiehoy.com\/noticias\/uji-estrena-video-cargado-de-mistica-ancestral-oropo\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">oropo<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">,<\/span><\/i><span style=\"font-weight: 400;\"> the first cut of his new album and movie <\/span><i><span style=\"font-weight: 400;\">time being<\/span><\/i><span style=\"font-weight: 400;\">, due out in October via ZZK Records. On this occasion, the producer born in Buenos Aires displays a ritualistic sensation that is reflected in the symbology-laden video directed by Jazm\u00edn Calcarami. Four years have passed since his debut album<\/span><i><span style=\"font-weight: 400;\"> Dawn<\/span><\/i><span style=\"font-weight: 400;\">, and Uji showed that his exploration of indigenous and ancient traditions is still intact.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">The spirit of Virus, the band commanded by Federico Moura during the eighties,<\/span> <span style=\"font-weight: 400;\">It is still valid in the Argentine pop and rock scene of our days. Its influence on future generations is indisputable, something that was demonstrated by the tribute published by Radio Universidad de La Plata in 2004. Reissued this year, the compilation entitled <\/span><a href=\"https:\/\/indiehoy.com\/noticias\/reeditan-tomo-lo-que-encuentro-19-versiones-de-virus-por-los-98-anos-de-radio-universidad-de-la-plata\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">I take what I find: 19 versions of Virus<\/span><\/i><\/a> <span style=\"font-weight: 400;\">It has several classics reinterpreted by artists from La Plata such as NerdKids<\/span><b>, <\/b><span style=\"font-weight: 400;\">addicted,<\/span> <span style=\"font-weight: 400;\">NormA, Estelares, Sergio P\u00e1ngaro, Francisco and Juan Pablo Bochat\u00f3n, among others.<\/span><b>\u00a0<\/b><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/oq-5jSo7ViY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">The<\/span> <span style=\"font-weight: 400;\">23rd edition of the Buenos Aires International Independent Film Festival<\/span> <span style=\"font-weight: 400;\">was held in several rooms of the capital, and extended functions <\/span><i><span style=\"font-weight: 400;\">on-line<\/span><\/i><span style=\"font-weight: 400;\"> so that no one is left out of this incredible audiovisual experience. As we are used to, the event&#039;s program offered a large number of films distributed in different sections and competitions. From established filmmakers of the stature of <\/span><span style=\"font-weight: 400;\">Hong Sangsoo, Claire Denis and Dar\u00edo Argento, until <\/span><i><span style=\"font-weight: 400;\">debuts<\/span><\/i><span style=\"font-weight: 400;\"> national and foreign, the BAFICI delighted the cinephile for two unforgettable weeks. <\/span><a href=\"https:\/\/indiehoy.com\/tag\/bafici\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">All coverage at this link<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Another of the returns that made us smile from ear to ear was that of the <\/span><a href=\"https:\/\/indiehoy.com\/libros\/vuelve-la-feria-del-libro-dias-horarios-lugar-entradas-y-todo-lo-que-hay-que-saber\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">International Book Fair of Buenos Aires<\/span><\/a><span style=\"font-weight: 400;\">. After two years of pandemic, the event that brings together figures from national and international literature was held again for three weeks. traditional ones <\/span><i><span style=\"font-weight: 400;\">stands <\/span><\/i><span style=\"font-weight: 400;\">of various editorials and themes filled La Rural to celebrate the return to face-to-face with Mario Vargas Llosa and John Katzenbach as outstanding international figures this year.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-argentina\/\">ARGENTINA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-bolivia\/\">BOLIVIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-brasil\/\">BRAZIL<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-colombia\/\">COLOMBIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-cuba\/\">CUBA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-espana\/\">SPAIN<\/a>| <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-mexico\/\">MEXICO<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-peru\/\">PERU<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Por Juampa Barbero | Indie Hoy Abril fue el mes en el que por fin pudimos escuchar algunos lanzamientos que est\u00e1bamos esperando desde hace tiempo. A la vez, hubo m\u00fasica que nos tom\u00f3 por sorpresa, colaboraciones deslumbrantes, regresos impensados y discos que no paran de sonar en loop. Todo eso y mucho m\u00e1s en nuestro [&hellip;]<\/p>\n","protected":false},"author":1514,"featured_media":11281,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8172],"tags":[9133,9123,9001,9138,9126,9127,9135,9137,8244,9132,9134,9129,9125,9124,9136,9130,9131,9128],"coauthors":[8171],"class_list":["post-11245","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faro","tag-adicta","tag-babasonicos","tag-bizarrap","tag-buenos-aires-festival-internacional-de-cine-independiente","tag-defensa","tag-doppel-gangs","tag-estelares","tag-francisco-y-juan-pablo-bochaton","tag-indie-hoy","tag-nerdkids","tag-norma","tag-paulo-londra","tag-peces-raros","tag-sara-hebe","tag-sergio-pangaro","tag-uji","tag-virus","tag-wiranda-johansen"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2022\/05\/Argentina-panorama-abril.jpg?fit=1816%2C830&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/1514"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=11245"}],"version-history":[{"count":5,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11245\/revisions"}],"predecessor-version":[{"id":11304,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11245\/revisions\/11304"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/11281"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=11245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=11245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=11245"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=11245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}