{"id":11240,"date":"2022-05-17T08:34:39","date_gmt":"2022-05-17T12:34:39","guid":{"rendered":"https:\/\/magazineampm.com\/?p=11240"},"modified":"2022-05-17T08:34:39","modified_gmt":"2022-05-17T12:34:39","slug":"panorama-abril-espana","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/panorama-abril-espana\/","title":{"rendered":"April Outlook: Spain"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>By <a href=\"https:\/\/www.mondosonoro.com\/\" target=\"_blank\" rel=\"noopener\">Sound World<\/a> and <a href=\"https:\/\/www.zonadeobras.com\" target=\"_blank\" rel=\"noopener\">Construction Area\u00a0<\/a>\u00a0<\/strong><\/p>\n<p><strong>Every moment has its songs and also its words. Incidence or pandemic are a recent example. In this spring, still somewhat autumnal, we are marked by others such as Donbas, Mariupol or Kherson. They are heard daily. The same as inflation, gas or energy. And a more recent one: Pegasus, the <i>software<\/i> designed by the Israeli intelligence service that was used to spy on Catalan pro-independence leaders and also on the President of the Government and his Defense Minister. As we said, thank goodness that in addition to words there are songs (and albums and movies and books...). Here is a selection for the month of April, to enjoy to the rhythm of a global geopolitical dance that never lets up.<\/strong><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/vSlpwFWkgRY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">April 30 marked one year since the launch of <\/span><i><span style=\"font-weight: 400;\">BITCH<\/span><\/i><span style=\"font-weight: 400;\">, the most important album in Zahara&#039;s career. The artist commemorates this anniversary by publishing <\/span><a href=\"https:\/\/www.mondosonoro.com\/noticias-actualidad-musical\/zahara-hostia-dios\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">the host of god<\/span><\/i><\/a><span style=\"font-weight: 400;\">, a song whose lyrics could already be found hidden in the <\/span><i><span style=\"font-weight: 400;\">box set <\/span><\/i><span style=\"font-weight: 400;\">by <\/span><i><span style=\"font-weight: 400;\">BITCH<\/span><\/i><span style=\"font-weight: 400;\">, but which had remained unpublished until today. Composed while Zahara finished recording the vocals for the album, she decided not to include it on this one and reserve it for a special moment. It has been produced by Marti Perarnau IV and Zahara herself and mixed by Jake Aron. On the other hand, the artist shone in style at the XIV edition of the MIN Awards for Independent Music, crowned a great winner with six awards: The Orchard Award for Album of the Year for PUTA, AGEDI Award for Best Pop Album, Sympathy For The Lawyer for Best Video Clip, SAE Spain Award for Best Musical Production, Best Original Lyrics and Marilians Award for Best Design.<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: The Bad Ending\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/18VJWUV6s11HvR2hNm1Bs9?utm_source=oembed\"><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">Confeti de Odio will return this year with a second album with which to continue delving into his confessional and close pop. <\/span><a href=\"https:\/\/www.mondosonoro.com\/noticias-actualidad-musical\/el-malo-final-confeti-de-odio\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">the bad ending<\/span><\/i><\/a><span style=\"font-weight: 400;\"> is the first advance of this new studio album, a <\/span><i><span style=\"font-weight: 400;\">single<\/span><\/i><span style=\"font-weight: 400;\"> that consolidates Lucas Vidaur&#039;s ability to walk the fine line that separates the most casual pop from rock guitars, and that also certifies the ingenuity of his lyrics, after lending his pen to artists like Amaia (<\/span><i><span style=\"font-weight: 400;\">I want but not<\/span><\/i><span style=\"font-weight: 400;\">, <\/span><i><span style=\"font-weight: 400;\">welcome to the show<\/span><\/i><span style=\"font-weight: 400;\"> or <\/span><i><span style=\"font-weight: 400;\">Yamaguchi<\/span><\/i><span style=\"font-weight: 400;\">).<\/span><\/p>\n<p><span style=\"font-weight: 400;\">His first album, <\/span><i><span style=\"font-weight: 400;\">Spanish tragedy<\/span><\/i><span style=\"font-weight: 400;\">, which landed in the midst of a pandemic, emphasized the personal drama: the self-criticism of the tormented young man who seeks his place in the world. After three years fine-tuning an already recognizable formula \u2014with its dose of cynicism and tenderness\u2014, Lucas Vidaur seems to be ready to release his new album this summer.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/GWUXG80XMLw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><i><span style=\"font-weight: 400;\">\u00a0<\/span><\/i><a href=\"https:\/\/www.mondosonoro.com\/noticias-actualidad-musical\/queralt-lahoz-blade\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Blade<\/span><\/i><\/a><span style=\"font-weight: 400;\"> is the new <\/span><i><span style=\"font-weight: 400;\">single<\/span><\/i><span style=\"font-weight: 400;\"> by the Barcelonan Queralt Lahoz, in which the artist explores the endlessness of electronic music, taking her proposal towards its most avant-garde side. With a base that mixes the <\/span><i><span style=\"font-weight: 400;\">grime<\/span><\/i><span style=\"font-weight: 400;\"> with the carioca funk, <\/span><i><span style=\"font-weight: 400;\">Blade<\/span><\/i><span style=\"font-weight: 400;\"> it is the acceptance of the angel and the devil that we all carry inside. A dichotomy between darkness and light, represented by the mestizo antihero in a trench coat from the 2000s, who reveals the darkest sound of Queralt Lahoz. The artist will publish other <\/span><i><span style=\"font-weight: 400;\">singles<\/span><\/i><span style=\"font-weight: 400;\"> this 2022 under the joint support of the Costa Futuro and Say It Loud labels. Taking advantage of the release of the song and its corresponding video clip, Queralt has published three videos on its networks with interviews with various renowned women artists \u2013La Pili, Adelaxd, Valeria Castro and La Yaniss\u2013 where they talk about anxiety, impostor syndrome and the darkest parts of its creation process. This is the first time that these artists show their most vulnerable part and make a taboo subject visible on networks. With <\/span><i><span style=\"font-weight: 400;\">Blade<\/span><\/i><span style=\"font-weight: 400;\">, Queralt Lahoz has taken advantage of the loudspeaker of music to talk about issues that affect us all, such as mental health.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/0o8SdwaGx2s\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/www.mondosonoro.com\/noticias-actualidad-musical\/guitarricadelafuente-anuncia-las-fechas-de-presentacion-de-la-cantera\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">guitarricadelafuente<\/span><\/a><span style=\"font-weight: 400;\"> has released the video for his single <\/span><i><span style=\"font-weight: 400;\">Who turned on the light<\/span><\/i><span style=\"font-weight: 400;\">, preview of his long-awaited album <\/span><i><span style=\"font-weight: 400;\">The quarry<\/span><\/i><span style=\"font-weight: 400;\">. The video has been directed by Pedro Artola, produced by Sara Renter\u00eda and with photography by Carles F. Gal\u00ed. Guitarricadelafuente \u2e3awhose real name is \u00c1lvaro Lafuente Calvo\u2e3a takes an important step forward with <\/span><i><span style=\"font-weight: 400;\">The quarry<\/span><\/i><span style=\"font-weight: 400;\">, one of the most anticipated albums of the season and which, for now, will be presented throughout Spain on a long tour of venues and festivals such as Mad Cool, Mallorca Live, Weekend Beach Festival or Santander Music Festival, among others.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/gIgZUYBH0QM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><a href=\"https:\/\/www.mondosonoro.com\/noticias-actualidad-musical\/miss-caffeina-varry-brava-danceteria\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Dance shop<\/span><\/i><\/a><span style=\"font-weight: 400;\">, the joint commitment of Miss Caffeina and Varry Brava to create a musical space without prejudice or labels, returns with new ideas and energy. After destroying their previous tour, they merge again on stage in a musical show that will tour all of Spain for the time being. The artists will once again present a unique staging with a special repertoire in which the <\/span><i><span style=\"font-weight: 400;\">hits<\/span><\/i><span style=\"font-weight: 400;\"> of both will be interspersed with alternate collaborations. <\/span><i><span style=\"font-weight: 400;\">Dance shop<\/span><\/i><span style=\"font-weight: 400;\"> coincides with the great moment of success that both Miss Caffeina are enjoying, with a new album released, <\/span><i><span style=\"font-weight: 400;\">the year of the tiger <\/span><\/i><span style=\"font-weight: 400;\">(Warner, 22) like Varry Brava, from Alicante, who after releasing their fifth album <\/span><i><span style=\"font-weight: 400;\">tacky <\/span><\/i><span style=\"font-weight: 400;\">(Hook, 20), embarked on the Benidorm Fest Eurovision adventure with their latest hit <\/span><i><span style=\"font-weight: 400;\">Raffaella<\/span><\/i><span style=\"font-weight: 400;\">. All these novelties, as well as the greatest hits of his career, are some of the songs that the new <\/span><i><span style=\"font-weight: 400;\">setlist<\/span><\/i><span style=\"font-weight: 400;\"> by <\/span><i><span style=\"font-weight: 400;\">Dance shop<\/span><\/i><span style=\"font-weight: 400;\">. In addition, those attending the concerts will be able to listen again to his <\/span><i><span style=\"font-weight: 400;\">single<\/span><\/i><span style=\"font-weight: 400;\"> shared <\/span><i><span style=\"font-weight: 400;\">Dance shop (here nobody knows your name)<\/span><\/i><span style=\"font-weight: 400;\"> with which they managed to raise the public in 2020, as well as new joint music that both bands are preparing. <\/span><i><span style=\"font-weight: 400;\">Dance shop<\/span><\/i><span style=\"font-weight: 400;\"> will be on the bill of Spanish festivals such as Weekend Beach Festival (July 6 to 9, Torre del Mar, M\u00e1laga), Cru\u00eflla Festival (July 8, Barcelona), Sonorama Ribera (August 10 to 14, Aranda de Duero, Burgos) or Mediterr\u00e1nea Festival (August 19 to 20, Tavernes de la Valldigna, Valencia).<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Ritual\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/37AgFMBjnx0q9mTJ1ygB7L?utm_source=oembed\"><\/iframe><\/div>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZONCN-k5Y0o\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Dorian broke any established stylistic norm long ago to become one of the most interesting transoceanic experiments on the current music scene. Now the band is back with\u00a0<\/span><a href=\"https:\/\/www.zonadeobras.com\/apuestas\/2022\/04\/23\/dorian-ritual\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Ritual<\/span><\/i><\/a><span style=\"font-weight: 400;\">, a work of synaptic bursts, of love and dance, of romanticism that is not cloying. An album that proposes a labyrinth in which we enjoy getting lost, since each corner, each nook, hides a spark that drags us towards a temporary carousel: yesterday, today and tomorrow intermingle so that the flavors that remain under our tongue are reborn, spicy and unruly. Music for a world that communicates through invisible cables, with feelings faster than light.<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Lombardy 22\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/7qjzwofzO07Q4bFOlP8dfi?utm_source=oembed\"><\/iframe><\/div>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/htvFyuko8pU\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Confirmed as one of the most consolidated proposals within the Spanish bedroom pop lineage, Bilbao&#039;s Yarea makes her debut with <\/span><a href=\"https:\/\/www.zonadeobras.com\/apuestas\/2022\/04\/06\/yarea-lombardia-22\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Lombardy 22<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">,<\/span><\/i><span style=\"font-weight: 400;\">\u00a0an album that collects everything learned over the last two years. The 25 minutes that this album lasts are more than enough to capture all the angles on which Yarea builds her musical personality. Beneath her face with kaleidoscopic features, the talented young woman makes her open-mindedness clear in the first three songs of\u00a0<\/span><i><span style=\"font-weight: 400;\">Lombardy 22<\/span><\/i><b><i>.\u00a0<\/i><\/b><span style=\"font-weight: 400;\">Traces of acoustic pop, minimal neo-postpunk parameters and hints of urban music intensify in this initial trio of cuts, in which the common line is the pronounced intimacy expressed by his marked neutral vocal diction. Ah, he also dares with a tango! wonderful.<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Orixe\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/6mskbZVJwoDcYrtCE2DZfy?utm_source=oembed\"><\/iframe><\/div>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/KX6j6CxcPVA\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">To speak of Sheila Patricia is to speak of a pioneer in the progressive conversion of Galician folklore into avant-garde music. Of obvious parallels with Rodrigo Cuevas, his new LP is a total commitment to self-discovery and the concern to conquer new horizons. Coming from the jazz scene, Sheila&#039;s progression since she started her musical career has been a continuous expansion of the battlefield. From jazz to folklore, its evolution now reaches\u00a0<\/span><a href=\"https:\/\/www.zonadeobras.com\/apuestas\/2022\/04\/08\/sheila-patricia-orixe\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Orixe<\/span><\/i><\/a><span style=\"font-weight: 400;\">, a work with which he vindicates his maternal artistic genes. And he has done it through a splendid mural of sonorities, where African rhythmic drive intersects with elegant Atlantic vocal panache and digital methodology with instrumental craftsmanship.\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Love as a philosophy, beyond the carnal or the electric. <\/span><i><span style=\"font-weight: 400;\">The topic<\/span><\/i><span style=\"font-weight: 400;\">, thus, with capital letters, which Agust\u00edn Fern\u00e1ndez Mallo faces in his new novel, <\/span><a href=\"https:\/\/www.zonadeobras.com\/apuestas\/2022\/04\/18\/agustin-fernandez-mallo-el-libro-de-todos-los-amores\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">The book of all loves<\/span><\/i><\/a><span style=\"font-weight: 400;\">. The intimacy of the room and poetry as a technology for sentimental recycling. The author<\/span> <span style=\"font-weight: 400;\">finds the roots of love in the minimal inequalities left by unstable elements when they decompose, while the soundtrack of the new Pantheon is a hermetic version of\u00a0<\/span><i><span style=\"font-weight: 400;\">Higgs Boson Blues<\/span><\/i><span style=\"font-weight: 400;\">\u00a0by Nick Cave &amp; The Bad Seeds. Poetry flows in each definition of love that Agust\u00edn Fern\u00e1ndez Mallo slips into this novel, one of his best works, visceral and lyrical, but without losing an iota of the courage with which he injected the mutant gene into our literature two decades ago .<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/11fXUvBpcAo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">It came to Spanish cinemas\u00a0<\/span><a href=\"https:\/\/www.zonadeobras.com\/apuestas\/2022\/04\/24\/alex-de-la-iglesia-veneciafrenia\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Venicephrenia<\/span><\/i><\/a><span style=\"font-weight: 400;\">,\u00a0<\/span><i><span style=\"font-weight: 400;\">thriller<\/span><\/i><span style=\"font-weight: 400;\">\u00a0terrifying in which \u00c1lex de la Iglesia focuses his criticism on mass tourism and the gentrification of cities. And it does so with a horror film set in Venice. In nature there is an indissoluble link between beauty and death. The human being, indebted to his environment, imitates what he observes. Like mosquitoes attracted to the brightest lighthouse, tourists are turning off the lights of the most beautiful city on the planet. The agony of the last decades has unleashed anger among the Venetians. To stop the invasion, some have organized themselves, unleashing their survival instinct. The protagonists, a simple group of Spanish tourists, travel to Venice with the intention of having fun, oblivious to the problems that surround them. There they will be forced to fight to save their own lives.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-argentina\/\">ARGENTINA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-bolivia\/\">BOLIVIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-brasil\/\">BRAZIL<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-colombia\/\">COLOMBIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-cuba\/\">CUBA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-espana\/\">SPAIN<\/a>| <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-mexico\/\">MEXICO<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-peru\/\">PERU<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Por Mondo Sonoro y Zona de Obras\u00a0\u00a0 Cada momento tiene sus canciones y tambi\u00e9n sus palabras. Incidencia o pandemia son un ejemplo reciente. En esta primavera, todav\u00eda algo oto\u00f1al, estamos marcados por otras como Donbas, Mariupol o Jers\u00f3n. Se escuchan a diario. Lo mismo que inflaci\u00f3n, gas o energ\u00eda. Y una m\u00e1s reciente: Pegasus, el [&hellip;]<\/p>\n","protected":false},"author":1514,"featured_media":11285,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8172],"tags":[9089,9081,9086,9083,9084,8449,8169,9088,9085,9090,9087,9082,301],"coauthors":[8171],"class_list":["post-11240","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faro","tag-agustin-fernandez-mallo","tag-confeti-de-odio","tag-dorian","tag-guitarricadelafuente","tag-miss-caffeina","tag-mondo-sonoro","tag-queralt-lahoz","tag-sheila-patricia","tag-varry-brava","tag-veneciafrenia","tag-yarea","tag-zahara","tag-zona-de-obras"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2022\/05\/Espana-panorama-abril-.jpg?fit=1816%2C830&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/1514"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=11240"}],"version-history":[{"count":5,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11240\/revisions"}],"predecessor-version":[{"id":11307,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11240\/revisions\/11307"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/11285"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=11240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=11240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=11240"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=11240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}