{"id":11228,"date":"2022-05-17T00:00:38","date_gmt":"2022-05-17T04:00:38","guid":{"rendered":"https:\/\/magazineampm.com\/?p=11228"},"modified":"2022-05-17T08:43:52","modified_gmt":"2022-05-17T12:43:52","slug":"panorama-abril-bolivia","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/panorama-abril-bolivia\/","title":{"rendered":"April Outlook: Bolivia"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>By<span style=\"font-weight: 400;\">\u00a0<\/span><a href=\"https:\/\/www.sonidosdeaca.com\/?m=1\" target=\"_blank\" rel=\"noopener\">sounds from here<\/a><\/strong><\/p>\n<p><strong>April brought us a lot of musical activity, and every weekend in the main cities of the country we have a varied offer of concerts and presentations, dividing the not so large public that attends cultural shows. Little by little, Santa Cruz de la Sierra began to become a city of permanent musical movement, and April was marked by two festivals that began that month: the now traditional Misiones de Chiquitos International Festival of American Renaissance and Baroque Music, which brought together to groups and ensembles from twenty countries for 10 days, and the debutant M\u00fasica con M de Mujer, which celebrates the talent of 24 female artists over four weekends; To this we must add the constant activity in venues that offer live music together with young talents who join forces to carry their message and make themselves known.\u00a0<\/strong><\/p>\n<p><strong>It is evident that today there is a lot of music being created in the country. Now comes the difficult task of developing audiences that, for many years, had limited options.\u00a0\u00a0<\/strong><\/p>\n<p><strong>These are some of the biggest releases of the fourth month of 2022.\u00a0\u00a0\u00a0<\/strong><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Hermeticism\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/2u09Tl3ZcCFa1BovO2dkiv?si=7HTg8eNuTlyq1tGJ5XyKNg&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">Suddenly, without making much noise, and without promotional songs, Grillo Villegas released a new studio album, the successor to <\/span><i><span style=\"font-weight: 400;\">Music should lift us<\/span><\/i><span style=\"font-weight: 400;\"> September 2019. The third work of the singer-songwriter after dissolving <\/span><i><span style=\"font-weight: 400;\">You arrive,<\/span><\/i><span style=\"font-weight: 400;\"> brings nine songs and marks the end of one of the longest breaks between albums for the musician from La Paz, in his more than 30-year career. Posted on April 12, <\/span><i><span style=\"font-weight: 400;\">Hermeticism<\/span><\/i><span style=\"font-weight: 400;\"> had Villegas recording guitars, pianos, keyboards, percussion and vocals, in his <\/span><i><span style=\"font-weight: 400;\">home studio<\/span><\/i><span style=\"font-weight: 400;\"> in La Paz, while the bass and drums were recorded by the Argentines Mat\u00edas M\u00e9ndez and Pablo Gonz\u00e1lez in Medio Naranja, Buenos Aires. El Grillo will play live again in May, after more than two years away from the stage due to the pandemic; his customary annual tour will take him to seven cities in the country.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/SLbir62i-aY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Leo Camargo, musician and producer based in Salta, Argentina, premiered <\/span><i><span style=\"font-weight: 400;\">meet again<\/span><\/i><span style=\"font-weight: 400;\">, another of the advances of <\/span><i><span style=\"font-weight: 400;\">Chepiagui<\/span><\/i><span style=\"font-weight: 400;\">, an eight-song work that will be released in the coming months. The Santa Cruz, author of songs like <\/span><i><span style=\"font-weight: 400;\">Intense<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">flowing<\/span><\/i><span style=\"font-weight: 400;\">, includes in this new proposal instruments such as sax, leg\u00fcero bass drum and donkey jaw, and confirms \u2e3aonce again\u2e3a that he is one of the most interesting exponents of new Bolivian music. The song has a video designed and directed by China G\u00f3mez, who was in charge of the previous two <\/span><i><span style=\"font-weight: 400;\">clips<\/span><\/i><span style=\"font-weight: 400;\"> of the singer-songwriter\u00a0<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: I don&#039;t love you\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/3mPfWhpQVTRaZ66gBB8x4A?si=9133ac4e257e475a&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">Mariana Rueda, former vocalist of the Santa Cruz band Las Lesbis Futbol Club, officially presented her first solo song, after a couple of singles with Matone in April of last year. In <\/span><i><span style=\"font-weight: 400;\">I do not like you<\/span><\/i><span style=\"font-weight: 400;\">, the 22-year-old singer brings a proposal that flirts with the <\/span><i><span style=\"font-weight: 400;\">shoegaze <\/span><\/i><span style=\"font-weight: 400;\">and punk, within an aesthetic <\/span><i><span style=\"font-weight: 400;\">lofi<\/span><\/i><span style=\"font-weight: 400;\">. Barely over two and a half minutes long, it&#039;s one of those songs that we put on repeat, over and over and over again.\u00a0\u00a0<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Karma\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/0Mu2uMNmG4JlPjxjWDUT1j?si=d479d58d7dcb47bc&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">A year and a half after <\/span><i><span style=\"font-weight: 400;\">The umbrella<\/span><\/i><span style=\"font-weight: 400;\">, the musician and poet from Oruro Vadik Barr\u00f3n published the first promotional <\/span><i><span style=\"font-weight: 400;\">Valley, <\/span><\/i><span style=\"font-weight: 400;\">work recorded in the city of Cochabamba with Mao Khan (Quimbando) as producer. As part of a seven-song album, <\/span><i><span style=\"font-weight: 400;\">Karma <\/span><\/i><span style=\"font-weight: 400;\">has the Russian-born singer-songwriter betting on a fresh start, after leaving the album incomplete <\/span><i><span style=\"font-weight: 400;\">Kitchen<\/span><\/i><span style=\"font-weight: 400;\"> in 2020. According to Barr\u00f3n, his most recent song talks about &quot;farewells, of forgiving, of wishing well, of wanting to be better, of cycles that are renewed.&quot;\u00a0\u00a0\u00a0\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/3I_r1GEQCSo\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Luciana de la Torre, known by the artistic name of Lu de la Tower, presented a new song\/video under the joint production of Jes\u00fas Oliva and Maurizio Alessio. As her first song released this year, the breakout soloist of 2021 brings us an infectious pop number that features a video clip directed by Freddy Arteaga of Onze Estudio. At 22 years old, the Santa Cruz bets everything on her music, standing out for her elaborate videos and the careful production of her songs.<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Wara Wara\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/31mtOHvEjIlCNMY5OF4hmh?si=1h7F9hdmSeeljN_G13RfqQ&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">Radio Cutipa, a project that brings together \u00c1lvaro \u00abConejo\u00bb Arce in programming, synthesizers and <\/span><i><span style=\"font-weight: 400;\">samples<\/span><\/i><span style=\"font-weight: 400;\">, Ren\u00e9 Hamel on charango, Andean flutes and voice, Imilla K\u00f3zmica on voice and charango and Luis Daniel Iturralde on percussion, published his first song on platforms on April 1st. under the title of <\/span><i><span style=\"font-weight: 400;\">Wara Wara<\/span><\/i><span style=\"font-weight: 400;\">, was composed by Arce and Hamel and is a morenada that serves as a sample of the sound that Radio Cutipa will bring, merging native rhythms from northern Bolivia with electronic music, using native instruments such as toyos, mose\u00f1os, quena, tarkas and others. The quartet is preparing its first album for August this year, with 10 songs produced by Arce.\u00a0\u00a0<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: The Foam of the Days\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/1iY51qiFs9k4a2lF48B4Gn?si=L6S4p7hzRt-_T26wUA7pow&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">Singer-songwriter Mateo Cuiza released his second EP, a four-song work entitled <\/span><i><span style=\"font-weight: 400;\">The foam of the days. <\/span><\/i><span style=\"font-weight: 400;\">Produced by JOF, the successor to <\/span><i><span style=\"font-weight: 400;\">Songs in the Bunker<\/span><\/i><span style=\"font-weight: 400;\"> 2020, was recorded in Santa Cruz de la Sierra, unlike the first mini album that was recorded in La Plata, province of Buenos Aires, the city of residence of the young Santa Cruz musician. Included on the disc are <\/span><i><span style=\"font-weight: 400;\">I wait you outside<\/span><\/i><span style=\"font-weight: 400;\"> and <\/span><i><span style=\"font-weight: 400;\">tkm<\/span><\/i><span style=\"font-weight: 400;\">, which served as promotional.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/j1-DrbV_dI4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">La Paz Sercha Ram\u00edrez, one of the most important voices of his generation, and one of the few who continues to make music to this day, presented <\/span><i><span style=\"font-weight: 400;\">For all of us who were<\/span><\/i><span style=\"font-weight: 400;\">, his first solo song. The former Ragga Ki, exKimo and current singer of Son Fusi\u00f3n, is putting the finishing touches on <\/span><i><span style=\"font-weight: 400;\">Astrolabe<\/span><\/i><span style=\"font-weight: 400;\">, a four-song EP that was produced by Jotape Villalba, a Bolivian musician based in Mexico. Ram\u00edrez comments that it is a reggae\/pop song born in a pandemic, as a tribute to those who are no longer on this earthly plane, but who remain in our memories. The theme has a video clip directed by the filmmaker Diego Cowks and the production company Ska Films.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/07ODilPM23s\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Mila Magal from Santa Cruz continues to promote her self-titled EP, this time with a new video directed by Mariana Dom\u00ednguez. The <\/span><i><span style=\"font-weight: 400;\">clip<\/span><\/i><span style=\"font-weight: 400;\"> for <\/span><i><span style=\"font-weight: 400;\">what i never said<\/span><\/i><span style=\"font-weight: 400;\">, the third <\/span><i><span style=\"font-weight: 400;\">track <\/span><\/i><span style=\"font-weight: 400;\">of the mini album, had the participation of the film actor Quim del Rio (<\/span><i><span style=\"font-weight: 400;\">You manques me, 98 seconds without a shadow)<\/span><\/i><span style=\"font-weight: 400;\"> as the main protagonist, together with the model Luisina Erro. Magal&#039;s debut EP is available on all platforms from <\/span><i><span style=\"font-weight: 400;\">streaming.<\/span><\/i><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">On April 20, in the city of Santa Cruz de la Sierra, the Music Festival with M for Women began, an initiative of Sounds from here that brings together 24 female artists from different cities in the country. Over four weekends, renowned artists such as Vero P\u00e9rez, Mayra Gonz\u00e1les and Ale Lanza (Timpana) share the stage with more recent names such as Las Majas, Mila Magal, Mariana Massiel, @Noni, Irene Torrico and Lu de la Tower, and emerging musicians such as Fer Villarroel, Bel\u00e9n Bowles, Feluval and Nia Cole. More than 40 women in total will pass through the three stages of the festival, the Meraki theater, the Museum of Contemporary Art and the Altillo Beni Museum. On the two weekends of May 6 and 13, Las Majas, Fer Villarroel, Becky Blue, Mayra Gonzales, La Otra Minina, Viudita Moderna, Mila Magal, Color Jaus\u00ed, Mariana Rueda, Fer G\u00f3mez, Feluval and Ciara Crapuzzi. <strong>You can find songs from several of them in the <\/strong><\/span><strong><i>playlist<\/i> next.<\/strong><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Music with M for Women (official playlist)\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/playlist\/1A5XL0eGybQI2DZSU0wkW6?si=1084678e688341d1&#038;utm_source=oembed\"><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-argentina\/\">ARGENTINA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-bolivia\/\">BOLIVIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-brasil\/\">BRAZIL<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-colombia\/\">COLOMBIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-cuba\/\">CUBA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-espana\/\">SPAIN<\/a>| <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-mexico\/\">MEXICO<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-abril-peru\/\">PERU<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>Por\u00a0Sonidos de ac\u00e1 Abril nos trajo mucha actividad musical, y cada fin de semana en las principales ciudades del pa\u00eds tenemos una variada oferta de conciertos y presentaciones, dividiendo al no tan numeroso p\u00fablico que asiste a espect\u00e1culos culturales. Poco a poco, Santa Cruz de la Sierra comienza a convertirse en una ciudad de permanente [&hellip;]<\/p>\n","protected":false},"author":1514,"featured_media":11282,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8172],"tags":[9091,9092,9095,9093,9097,9099,9096,9098,9100,9094],"coauthors":[8171],"class_list":["post-11228","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faro","tag-grillo-villegas","tag-leo-camargo","tag-lu-de-la-tower","tag-mariana-rueda","tag-mateo-cuiza","tag-mila-magal","tag-radio-cutipa","tag-sercha-ramirez","tag-sonidos-de-aca","tag-vadik-barron"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2022\/05\/Bolivia-panorama-abril-.jpg?fit=1816%2C830&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11228","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/1514"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=11228"}],"version-history":[{"count":8,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11228\/revisions"}],"predecessor-version":[{"id":11313,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/11228\/revisions\/11313"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/11282"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=11228"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=11228"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=11228"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=11228"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}