{"id":11224,"date":"2022-05-17T08:27:22","date_gmt":"2022-05-17T12:27:22","guid":{"rendered":"https:\/\/magazineampm.com\/?p=11224"},"modified":"2022-05-20T07:19:41","modified_gmt":"2022-05-20T11:19:41","slug":"panorama-abril-cuba","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/panorama-abril-cuba\/","title":{"rendered":"April Outlook: Cuba"},"content":{"rendered":"

By Magazine AM: PM<\/b><\/a><\/strong><\/p>\n

April passed like a whirlwind through our lives. It was a vertiginous month marked by the reopening of F\u00e1brica de Arte Cubano, with its concerts, jam<\/i>, exhibitions, dance workshops, master class<\/i>; the granting of the 2022 Grammy Awards to Cubans Gonzalo Rubalcaba, Chucho Vald\u00e9s and Alex Cuba; the nominations for the next Cubadisco Awards; and the sudden departure of three prominent artists from the Cuban music scene: the troubadour L\u00e1zaro Garc\u00eda, the DJ and promoter of electronic sounds Ernesto Jorge Hidalgo (.aka DJ Tiko), and the flutist and leader of the group NG La Banda, Jos\u00e9 Luis Cortes (El Tosco).\u00a0<\/strong><\/p>\n

To all this is added the launch of the book\u00a0 Celia in Cuba <\/i>(1925-1962), by the Cuban musicographer Rosa Marquetti Torres, in which the vital and professional circumstances are carefully revealed, as well as the initial trajectory that prepared the subsequent stardom of this immense artist who became an icon of the Latin in United States and the world. highly recommended reading<\/a>.\u00a0<\/strong><\/p>\n

Meanwhile, musical releases were not far behind:\u00a0<\/strong><\/p>\n