{"id":10691,"date":"2022-04-09T16:45:50","date_gmt":"2022-04-09T20:45:50","guid":{"rendered":"https:\/\/magazineampm.com\/?p=10691"},"modified":"2022-04-14T01:44:18","modified_gmt":"2022-04-14T05:44:18","slug":"panorama-marzo-brasil","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/panorama-marzo-brasil\/","title":{"rendered":"March Overview: Brazil"},"content":{"rendered":"<p><strong>The Panorama Lighthouse is a section that is responsible for highlighting the most important releases in Ibero-America and is published simultaneously in all the media that make up the alliance, thus multiplying its reach and visibility. <\/strong><strong>Every<\/strong><strong> delivery updates us on the struggles in each of our countries, currently going through the reality of COVID-19, and on the news of their musical ecosystems. As we always say, there is much to discover out there. <\/strong><strong>If you want to know what the region sounds like today, this is the place and the time.<\/strong><\/p>\n<p><strong>Lighthouse is composed of\u00a0<em>IndieToday<\/em> (Argentina),<em> sounds from here<\/em> (Bolivia), <em>Scream&amp;Yell<\/em>\u00a0(Brazil),\u00a0<em>shock\u00a0<\/em>(Colombia),\u00a0<em>Magazine AM:PM<\/em>\u00a0(Cuba),\u00a0\u00a0<em>POTQ<\/em>\u00a0(Chili),\u00a0<em>Sound World<\/em> and <em>Construction Area<\/em>\u00a0(Spain),\u00a0<em>Indie Rocks!<\/em>\u00a0(Mexico),\u00a0<em>Rock Achorao&#039;<\/em>\u00a0(Peru) and\u00a0<em>Piiila\u00a0<\/em>(Uruguay). It also works to create original and innovative content, as well as various activities that serve to break down borders and build bridges between the different countries of Ibero-America.<\/strong><\/p>\n<h1 style=\"text-align: center;\"><strong>Brazil<\/strong><\/h1>\n<p style=\"text-align: center;\"><strong>By Marcelo Costa \/\u00a0 <a href=\"http:\/\/screamyell.com.br\/site\/\" target=\"_blank\" rel=\"noopener\">Scream &amp; Yell<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>March in Brazil seems to have lasted three months. With pandemic numbers declining, the number of those vaccinated increasing and the mandatory use of masks ended, many events welcomed the public as if we were living in 2019, among them Lollapalooza Brazil, the first mega-festival since the virus proliferated 24 months ago. \"Celebrating life in 2022 is something everyone should do at some point when they feel safe.\" <a href=\"http:\/\/screamyell.com.br\/site\/2022\/03\/27\/balanco-dia-1-do-lollapalooza-2022-destaca-shows-de-marina-pabllo-turnstile-e-mais-um-fracasso-dos-strokes\/\" target=\"_blank\" rel=\"noopener\">we wrote in our coverage of the festival<\/a>and more than 300,000 people celebrated music, life and reunion at the Aut\u00f3dromo de Interlagos in S\u00e3o Paulo. Music, once again, bringing people together. And, not for nothing, we started our list of highlights with a special Faro project called... \"Unite Everything!\".<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">As Brazil was not included in the documentary <\/span><i><span style=\"font-weight: 400;\">Break Everything<\/span><\/i><span style=\"font-weight: 400;\">producer and Scream &amp; Yell collaborator Leonardo Vinhas has planned an initiative to unite South America through music: the \"\u00a1Unan Todo!\" campaign is not his or the site's first foray into this territory: in 2015 we launched <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2015\/03\/17\/download-somos-todos-latinos\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">We Are All Latinos<\/span><\/i><\/a><span style=\"font-weight: 400;\">with Brazilians singing songs from neighboring countries. Then came <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2015\/11\/24\/download-tributo-aos-paralamas-do-sucesso\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Kaleidoscope<\/span><\/i><\/a><i><span style=\"font-weight: 400;\"> (<\/span><\/i><span style=\"font-weight: 400;\">2015), with artists from 11 countries celebrating Os Paralamas do Sucesso, <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2016\/12\/07\/download-brasil-tambien-es-latino\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Brazil Is Also Latin<\/span><\/i><\/a><span style=\"font-weight: 400;\"> (2016), with neighboring artists singing Brazilian songs, <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2018\/12\/18\/conexao-latina-baixe-o-album\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Conex\u00e3o Latina<\/span><\/i><\/a> <span style=\"font-weight: 400;\">(2018), <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2020\/04\/21\/selo-scream-yell-baixe-o-album-iestamos-cancoes-inspiradas-pela-quarentena\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">We are! - Quarentena's Songs<\/span><\/i><\/a><span style=\"font-weight: 400;\"> (2020), <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2021\/09\/08\/selo-scream-yell-bajo-el-cielo-uruguayo\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Under a Uruguayan Sky<\/span><\/i><\/a> <span style=\"font-weight: 400;\">(2021) y <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2021\/10\/27\/selo-scream-yell-ouca-e-baixe-conexao-latina-ii\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Conex\u00e3o Latina II<\/span><\/i><\/a> <span style=\"font-weight: 400;\">(2021) - all with free download. Thus, the EP <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2022\/03\/14\/ep-unan-todo-ira-reunir-artistas-brasileiros-com-musicos-da-colombia-argentina-venezuela-uruguai-e-mexico\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">\"Unan Todo!\"<\/span><\/i><\/a> <span style=\"font-weight: 400;\">(2022), our next release, is a project of the Faro Alliance, and unites Brazilians with artists from Colombia, Argentina, Venezuela, Uruguay and Mexico. The first <\/span><i><span style=\"font-weight: 400;\">single<\/span><\/i><span style=\"font-weight: 400;\"> brings together Brazilian band The Raulis with Mexican artist Pahua, and you can listen to it below. More info on <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2022\/03\/14\/ep-unan-todo-ira-reunir-artistas-brasileiros-com-musicos-da-colombia-argentina-venezuela-uruguai-e-mexico\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">the project here<\/span><\/a><span style=\"font-weight: 400;\">.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/f9bkmfI_big\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Band <\/span><i><span style=\"font-weight: 400;\">crossover <\/span><\/i><span style=\"font-weight: 400;\">of punk rock, metal and thrash, the powerful black trio Black Pantera returns screaming <\/span><i><span style=\"font-weight: 400;\">Fogo nos Racistas,<\/span><\/i><span style=\"font-weight: 400;\"> one of the <\/span><i><span style=\"font-weight: 400;\">singles<\/span><\/i><span style=\"font-weight: 400;\"> of their noisy and great third album, <\/span><i><span style=\"font-weight: 400;\">Ascen\u00e7\u00e3o,<\/span><\/i><span style=\"font-weight: 400;\"> which came out in March with 12 activist songs that criticize the genocidal Jair Bolsonaro, structural racism and homophobia, among other issues. The cover is a photo by Victor Balde taken in November 2019 showing Ana Francisco and Carolina Ant\u00f4nio, two women from La Meconta (Mozambique), holding machetes and protecting a child. The image was part of the collection <\/span><i><span style=\"font-weight: 400;\">She fights like a Mozambican woman.\u00a0<\/span><\/i><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/GqT85M5b4yk\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">In 2011, Luiza Brina released her first solo album, <\/span><a href=\"https:\/\/tratore.ffm.to\/atoadavemepeloventodeluxeedition\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">A Toada Vem \u00e9 Pelo Vento (Everything Comes in the Wind)<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">, <\/span><\/i><span style=\"font-weight: 400;\">producing more than 1,500 home copies of the album, a copy, today, costs more than $1,000 on Discogs. To celebrate the tenth anniversary of the album, the label dobra discos has released a deluxe digital version of the album, with the eight original tracks plus 11 special tracks for the reissue, with appearances by Z\u00e9 Manoel e o Boi de Maracan\u00e3, Ana Frango El\u00e9trico and Castello Branco. A beautiful album that only got better with time.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/pXzqvCVQKBw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Chilean artist living in Belo Horizonte and increasingly closer to Brazilian musicians, Claudia Manzo launched <\/span><a href=\"https:\/\/tratore.ffm.to\/re-voltar\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Re-Turn<\/span><\/i><\/a><i><span style=\"font-weight: 400;\">,<\/span><\/i><span style=\"font-weight: 400;\"> his second solo album, an album that shows new influences through the use of electronic bases, but that dialogues in full harmony with his peculiar organic and Latin sound. It features collaborations with Luiza Brina (on <\/span><i><span style=\"font-weight: 400;\">Pequenos Homens)<\/span><\/i><span style=\"font-weight: 400;\"> and the duo Russo Passapusso and Beto Barreto (from <\/span><i><span style=\"font-weight: 400;\">BaianaSystem<\/span><\/i><span style=\"font-weight: 400;\">), which contribute to the single <\/span><i><span style=\"font-weight: 400;\">\u00c1gua Benta<\/span><\/i><span style=\"font-weight: 400;\">To listen and to want to put it all together more and more!<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/nC-UOd3AIuI\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Dulce Quental is an artist who became known in the Brazilian rock explosion of the 80's and, between comings and goings, moved away from the market. Now, with <\/span><a href=\"https:\/\/onerpm.link\/sobosignodoamor\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Under the Sign of Love<\/span><\/i><\/a><span style=\"font-weight: 400;\">his sixth solo album, and one of the best of his career, wants to reconnect with a new audience. The album, produced by brothers Jonas S\u00e1 and Pedro S\u00e1 (the latter, a collaborator of Caetano Veloso), is an album of infatuation and resistance, \"a conversation in the ear, whispered, you know\", <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2022\/03\/28\/musica-dulce-quental-exalta-o-silencio-em-sob-o-signo-do-amor-um-disco-de-enamoramento-e-resistencia\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">comment here<\/span><\/a><span style=\"font-weight: 400;\">The album is an album of guitar and vocals in the front, with a tiny drum kit and the little MPC noises in the back. Highly recommended.<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Dulce Quental\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/artist\/7dn5SkyeOlBiTIXd3KnuKG?uri=spotify%3Aalbum%3A5VjfXe02YGzabFTCzpLHtp&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">Thirteen years after their danceable and beautiful second album, <\/span><i><span style=\"font-weight: 400;\">A Vontade Superstar<\/span><\/i><span style=\"font-weight: 400;\"> (2009), Bruno Morais returns with <\/span><a href=\"https:\/\/smb.lnk.to\/PoderSupremo\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Supreme Power<\/span><\/i><\/a><span style=\"font-weight: 400;\">Bruno continues to combine love and dance with a unique \"brasilidade\" and a very special group of collaborators (Bixiga 70, Ju\u00e7ara Mar\u00e7al and Thiago Fran\u00e7a of Met\u00e1 Met\u00e1, An\u00edbal de Met\u00e1, An\u00edbal de Met\u00e1). Bruno continues to combine love and dance with a unique \"brasilidade\" and a very special group of collaborators (Bixiga 70, Ju\u00e7ara Mar\u00e7al and Thiago Fran\u00e7a of Met\u00e1 Met\u00e1, Anelis Assump\u00e7\u00e3o, Roberto Barreto, guitarist and one of the brains behind BaianaSystem, among others) in a result that will make you move your whole body.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/O-j6Ghiy4Cg\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Andrea Agda and Daniel Arruda formed Banana Scrait in Fortaleza in the first half of the 1990s, faithful to the indie rock guitar style of the time. In 2015, however, the duo surprised with two beautiful releases, one of them, the brilliant EP <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2015\/09\/01\/entrevista-banana-scrait\/\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Giostra<\/span><\/i><\/a><span style=\"font-weight: 400;\">in homage to the master Alberto Nepomuceno (1864\/1920). Now they return with <\/span><a href=\"https:\/\/smarturl.it\/EletroBossaNova\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Eletro Bossa Nova<\/span><\/i><\/a><span style=\"font-weight: 400;\">reimagining classics of Brazilian music (Tom Jobim, Vinicius de Moraes, Baden Powell) with a modern slant, achieving a dazzling result.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/Otl-qlyC2Qw\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Published in 2019, <\/span><i><span style=\"font-weight: 400;\">Violet,<\/span><\/i><span style=\"font-weight: 400;\"> Terno Rei's third album, expanded the band's reach and gained a new wave of fans, which made expectations and anxiety around the new album inevitable. The newly released <\/span><a href=\"https:\/\/ditto.fm\/terno-rei-gemeos\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">G\u00eameos<\/span><\/i><\/a><span style=\"font-weight: 400;\"> shows that the band has not shied away from responsibility by adding new layers to their sound and showing a renewed breath by combining the quartet's classic seasoning - melancholic, almost languid guitars and a conciseness in the songs - with a more pop touch. <\/span><a href=\"http:\/\/screamyell.com.br\/site\/2022\/03\/10\/entrevista-terno-rei-lanca-disco-gemeos-e-se-prepara-para-show-no-lollapalooza\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Let's talk to them!<\/span><\/a><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/rVwPv4ZYLv0\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">Protagonist of the Amazon music scene, the experimental alternative band Luneta M\u00e1gica was inspired by one of the first documentaries about the Amazon, <\/span><a href=\"https:\/\/www.youtube.com\/watch?v=El2krpHmwv4\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">No Paiz das Amazonas<\/span><\/i><\/a><span style=\"font-weight: 400;\">directed by Silvino Santos and Agesilau Ara\u00fajo in 1922, to establish an interesting connection between psychedelic rock, indie rock and Brazilian rhythms. Released in March, the album <\/span><i><span style=\"font-weight: 400;\">No Paiz das Amazonas<\/span><\/i><span style=\"font-weight: 400;\">has already earned the quintet several accolades and a live session, which you can watch below.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/El2krpHmwv4\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">One of the little-heard treasures of the current Brazilian music scene (despite opening one of the stages of Lollapalooza Brazil 2022), is the music of S\u00e3o Paulo rapper Edgar<\/span><b>, <\/b><span style=\"font-weight: 400;\">what<\/span> <span style=\"font-weight: 400;\">continues to generate pearls such as <\/span><i><span style=\"font-weight: 400;\">Bible, Boi and Bala<\/span><\/i><span style=\"font-weight: 400;\">The song is a powerful song that summarizes a group of bad politicians in the Brazilian Chamber of Deputies. The <\/span><i><span style=\"font-weight: 400;\">single<\/span><\/i><span style=\"font-weight: 400;\"> is part of the EP <\/span><i><span style=\"font-weight: 400;\">Ultraviolet<\/span><\/i><span style=\"font-weight: 400;\">from which we also recommend the track <\/span><i><span style=\"font-weight: 400;\">Fake News<\/span><\/i><span style=\"font-weight: 400;\">Edgar summarizes: \"In this song I say that the corrupt politician's head should be torn off and put in a pulpit\". A sharp lyricist, Edgar is one of the best chroniclers of Brazilian music today.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/_OCYPhIJdBc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-argentina\/\">ARGENTINA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-bolivia\/\">BOLIVIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-brasil\/\">BRAZIL<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-colombia\/\">COLOMBIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-cuba\/\">CUBA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-espana\/\">SPAIN<\/a>| <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-mexico\/\">MEXICO<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-uruguay\/\">URUGUAY<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>El Panorama Faro es una secci\u00f3n que se encarga de resaltar los lanzamientos m\u00e1s importantes de Iberoam\u00e9rica y se publica simult\u00e1neamente en todos los medios que integran la alianza, multiplicando as\u00ed su alcance y visibilidad. Cada entrega nos actualiza sobre las luchas en cada uno de nuestros pa\u00edses, actualmente atravesadas por la realidad de la [&hellip;]<\/p>\n","protected":false},"author":1514,"featured_media":10746,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8172],"tags":[],"coauthors":[8171],"class_list":["post-10691","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faro"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2022\/04\/Brasil-1.jpg?fit=1816%2C830&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/10691","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/1514"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=10691"}],"version-history":[{"count":5,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/10691\/revisions"}],"predecessor-version":[{"id":10797,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/10691\/revisions\/10797"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/10746"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=10691"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=10691"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=10691"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=10691"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}