{"id":10685,"date":"2022-04-09T16:27:07","date_gmt":"2022-04-09T20:27:07","guid":{"rendered":"https:\/\/magazineampm.com\/?p=10685"},"modified":"2022-04-14T01:52:07","modified_gmt":"2022-04-14T05:52:07","slug":"panorama-marzo-uruguay","status":"publish","type":"post","link":"https:\/\/magazineampm.com\/en\/panorama-marzo-uruguay\/","title":{"rendered":"March Overview: Uruguay"},"content":{"rendered":"<p><strong>The Panorama Lighthouse is a section that is responsible for highlighting the most important releases in Ibero-America and is published simultaneously in all the media that make up the alliance, thus multiplying its reach and visibility. <\/strong><strong>Every<\/strong><strong> delivery updates us on the struggles in each of our countries, currently going through the reality of COVID-19, and on the news of their musical ecosystems. As we always say, there is much to discover out there. <\/strong><strong>If you want to know what the region sounds like today, this is the place and the time.<\/strong><\/p>\n<p><strong>Lighthouse is composed of\u00a0<em>IndieToday<\/em> (Argentina),<em> sounds from here<\/em> (Bolivia), <em>Scream&amp;Yell<\/em>\u00a0(Brazil),\u00a0<em>shock\u00a0<\/em>(Colombia),\u00a0<em>Magazine AM:PM<\/em>\u00a0(Cuba),\u00a0\u00a0<em>POTQ<\/em>\u00a0(Chili),\u00a0<em>Sound World<\/em> and <em>Construction Area<\/em>\u00a0(Spain),\u00a0<em>Indie Rocks!<\/em>\u00a0(Mexico),\u00a0<em>Rock Achorao&#039;<\/em>\u00a0(Peru) and\u00a0<em>Piiila\u00a0<\/em>(Uruguay). It also works to create original and innovative content, as well as various activities that serve to break down borders and build bridges between the different countries of Ibero-America.<\/strong><\/p>\n<h1 style=\"text-align: center;\"><strong>Uruguay<\/strong><\/h1>\n<p style=\"text-align: center;\"><strong>By Kristel Latecki \/ <a href=\"https:\/\/www.piiila.com\/\" target=\"_blank\" rel=\"noopener\">PiiiLA<\/a><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><strong>March began with a full cultural agenda, not only of Uruguayan artists but also of international musicians who have been confirming their participation since February. <i>shows<\/i> in the country. El Mat\u00f3 a un Polic\u00eda Motorizado, who together with Ni\u00f1a Lobo gave an excellent performance. <i>show<\/i> at a packed Teatro de Verano; Spanish rapper Rels B was also there and sold out. But the event of the month may have been that of Florencia N\u00fa\u00f1ez at the Teatro Sol\u00eds, a mythical stage that sold out and where she offered a consecrating show for her career as an independent musician.\u00a0<\/strong><\/p>\n<p><strong>And in terms of launches, the list is also very busy.<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p><i><span style=\"font-weight: 400;\">Ink and Time <\/span><\/i><span style=\"font-weight: 400;\">is the name of Jorge Drexler's next album, and prior to its release on April 22nd, he offers us a new <\/span><i><span style=\"font-weight: 400;\">single<\/span><\/i><span style=\"font-weight: 400;\">: <\/span><i><span style=\"font-weight: 400;\">White Belt<\/span><\/i><span style=\"font-weight: 400;\">. Marked by the pandemic and confinement, this is a theme that reflects part of the musician's experience, finding himself composing in this new and strange panorama. \"I discovered that you don't write alone. That until you share with another person, you are not able to measure the nature of what you have composed\", says Drexler in his statement.<\/span><\/p>\n<p><i><span style=\"font-weight: 400;\">White Belt<\/span><\/i><span style=\"font-weight: 400;\"> aims, after a long journey, to return to the starting point. And he is inspired by a story he was told about a martial arts school: \"the apprentice starts learning everything with the basic belt, the white belt. After years of practice and study, he reaches technical mastery and receives the black belt. However, once he has reached the highest grade, he receives the white belt again. We have to unlearn all our baggage to reach excellence\".<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The video that accompanies this <\/span><i><span style=\"font-weight: 400;\">single<\/span><\/i><span style=\"font-weight: 400;\"> was directed by Joana Colomar and continues the story that they left behind in the visual of <\/span><i><span style=\"font-weight: 400;\">Touch you<\/span><\/i><span style=\"font-weight: 400;\"> through a challenging choreography that rewinds the dancer until he finds the person he was looking for.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/0EBOl9wazLQ\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: White Belt\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/4UH2EGtddKgfDOQBy9nsyj?si=DZnmlhDoR86AFtRIYZu7uw&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">With his debut album, Mansalva<\/span> <span style=\"font-weight: 400;\">presents something they define as a snapshot of a moment. Because for the quartet, when it comes to playing, their compositions evolve, move and change guided by emotions. This portrait is one of raw sensibilities, of reflections reached after looking inward, of heartbreaking cries, which are and will be echoed in feminist struggles. It is a questioning album, one of those that reveals part of the feelings of its composers and, in the process, moves the listener.<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Mansalva\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/3jggxNJhmchada1qhOBMyJ?si=CnL0i2FwSsWS_4wQJFupHg&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">The singer and pianist Lali Gaspari delivered her second album, <\/span><i><span style=\"font-weight: 400;\">New Intentions<\/span><\/i><span style=\"font-weight: 400;\">. The follower of <\/span><i><span style=\"font-weight: 400;\">Gray<\/span><\/i><span style=\"font-weight: 400;\"> (2018) makes the difference from the cover: although we see her diffused behind a wet glass, the composer appears in front and in full color. So are her songs. If ballads starred in her debut, here she is polenteado by a more diverse instrumentation and lively rhythms, gaining in sound richness. Never losing its introspective value, she even incorporates electronic elements, as in the outstanding <\/span><i><span style=\"font-weight: 400;\">At a Glance.<\/span><\/i><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: New Intentions\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/4nJd7rSTeFOZnmwoWCUhmw?si=VmX4z30lR2ivmC8Qu0R-Yg&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><i><span style=\"font-weight: 400;\">Floating Body <\/span><\/i><span style=\"font-weight: 400;\">is the first <\/span><i><span style=\"font-weight: 400;\">single<\/span><\/i><span style=\"font-weight: 400;\"> by <\/span><i><span style=\"font-weight: 400;\">Desire Path<\/span><\/i><span style=\"font-weight: 400;\">the next album of <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Lila+Tirando+a+Violeta\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Lilac Tossing Violet<\/span><\/a><span style=\"font-weight: 400;\"> which will be released by Mexican label NAAFI. In collaboration with the French-Ecuadorian DJ and producer Nicola Cruz, this <\/span><i><span style=\"font-weight: 400;\">track<\/span><\/i><span style=\"font-weight: 400;\"> rapidly mutates from an ambient atmosphere to a <\/span><i><span style=\"font-weight: 400;\">dembow <\/span><\/i><span style=\"font-weight: 400;\">fractured, the only permanent thing is digitality and rhythm. Like his last work <\/span><a href=\"https:\/\/www.piiila.com\/blog\/2020\/12\/28\/2020-en-piiila-discos-del-ao\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">limerence<\/span><\/i><\/a><span style=\"font-weight: 400;\"> (2020), <\/span><i><span style=\"font-weight: 400;\">Desire Path <\/span><\/i><span style=\"font-weight: 400;\">promises to be one of the releases of the year. <\/span><\/p>\n<p style=\"text-align: center;\"><iframe style=\"border: 0; width: 350px; height: 470px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=214157471\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/transparent=true\/\" seamless=\"\"><a href=\"https:\/\/naafi.bandcamp.com\/album\/desire-path\" target=\"_blank\" rel=\"noopener\">Desire Path by Lila Tirando a Violeta<\/a><\/iframe><\/p>\n<p><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Eros+White\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Eros White<\/span><\/a><span style=\"font-weight: 400;\"> is also previewing what will be his next album and he does it with <\/span><i><span style=\"font-weight: 400;\">Volume<\/span><\/i><span style=\"font-weight: 400;\">a collaboration with La Propia<\/span> <span style=\"font-weight: 400;\">which invites to get rid of the problems and leave them on the disco floor. La Propia, for her part, is the one who gives voice to the character while singing in Spanish and French. But far from being a luminous track, it is underpinned by a darkness that echoes in its outro very much inspired by Kanye West's <\/span><i><span style=\"font-weight: 400;\">My Beautiful Dark Twisted Fantasy<\/span><\/i><span style=\"font-weight: 400;\">.<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Volume\" style=\"border-radius: 12px\" width=\"100%\" height=\"352\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/album\/0t0BNUDYg7QKQJD54DSXFb?si=bkkO7QPmSyaH4f3tC8A1MA&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">Four years after their last album, La Vela Puerca is back with a new album. <\/span><i><span style=\"font-weight: 400;\">single<\/span><\/i><span style=\"font-weight: 400;\"> in collaboration with rapper <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Arquero\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Archer<\/span><\/a><span style=\"font-weight: 400;\">. Danceable and pogueable, <\/span><i><span style=\"font-weight: 400;\">La Pastilla<\/span><\/i><span style=\"font-weight: 400;\"> has all the ingredients that make La Vela's songs particularly their own, with the winds adding color over the firm rock base, and the keyboard giving the right notes. According to the band, their lyrics \"question the posture, the ego and the superficiality of the times we live in, all said within the framework of irony\". La Vela has just performed a massive <\/span><i><span style=\"font-weight: 400;\">show <\/span><\/i><span style=\"font-weight: 400;\">sold out at the Estadio Centenario, and will release their new album in May of this year.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/IWQdq41gLhs\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">After 17 years leading <\/span><a href=\"https:\/\/www.piiila.com\/blog\/tag\/Boomerang\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">Boomerang<\/span><\/a><span style=\"font-weight: 400;\">Gonzalo Zipitr\u00eda created CELP, a new solo project that sounds for the first time in <\/span><i><span style=\"font-weight: 400;\">As in the Movies<\/span><\/i><span style=\"font-weight: 400;\">. It is a simple <\/span><i><span style=\"font-weight: 400;\">groovero<\/span><\/i><span style=\"font-weight: 400;\"> with melancholic tints given by the keys, which continues the pop line of his previous band, even working with Gustavo Iglesias (sound engineer and producer of Babas\u00f3nicos who produced his last two albums). In his lyrics he seems to reflect part of what we have lived in these two years of pandemic, with the strangeness, the <\/span><i><span style=\"font-weight: 400;\">fake news<\/span><\/i><span style=\"font-weight: 400;\"> and the memory of better times.<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/4GAk8qdpykY\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">From a pop over a trap base, Mica Sapin created her second <\/span><i><span style=\"font-weight: 400;\">single<\/span><\/i><span style=\"font-weight: 400;\"> produced by Alemany<\/span><b>.<\/b><span style=\"font-weight: 400;\"> Edited by Faunas, an independent label led by women, <\/span><i><span style=\"font-weight: 400;\">What Remains of Me <\/span><\/i><span style=\"font-weight: 400;\">The album is burdened with heavy pains and anxieties, which entangle and trap in a labyrinth with no apparent way out. The video directed by Guillermo Troch\u00f3n has an excellent and poetic choreography that echoes the lyrics.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/iDjsUW9wkyc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><span style=\"font-weight: 400;\">The <\/span><i><span style=\"font-weight: 400;\">lofi<\/span><\/i><span style=\"font-weight: 400;\"> hip hop radio have been a huge genre on YouTube for several years now (<\/span><a href=\"https:\/\/www.youtube.com\/watch?v=aMaPM-wQzyw&amp;list=PLXaH20eIS38aqX7ieOu2drxuWBZ-QMtdO\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">to the point that Disney has just jumped on the trend.<\/span><\/a><span style=\"font-weight: 400;\">), and from here, the duo Los Bosques proposes a new <\/span><i><span style=\"font-weight: 400;\">track<\/span><\/i><span style=\"font-weight: 400;\"> that fits perfectly in this <\/span><i><span style=\"font-weight: 400;\">mood<\/span><\/i><span style=\"font-weight: 400;\">. <\/span><i><span style=\"font-weight: 400;\">Arrabal Wind <\/span><\/i><span style=\"font-weight: 400;\">is the first <\/span><i><span style=\"font-weight: 400;\">single<\/span><\/i><span style=\"font-weight: 400;\"> of his next album, <\/span><i><span style=\"font-weight: 400;\">Monte Nativo<\/span><\/i><span style=\"font-weight: 400;\">and was made in collaboration with the Dutch artist Mindr. The Uruguayan touch is given by bandoneons and tango guitars, in addition to the inescapable sound of the river.<\/span><\/p>\n<div class=\"video-container\"><iframe title=\"Spotify Embed: Viento de Arrabal\" style=\"border-radius: 12px\" width=\"100%\" height=\"152\" frameborder=\"0\" allowfullscreen allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\" src=\"https:\/\/open.spotify.com\/embed\/track\/6pO0m7Cf1AhEBKHcS4yH05?si=2546052a29ce46b7&#038;utm_source=oembed\"><\/iframe><\/div>\n<p><span style=\"font-weight: 400;\">The new Hankelian singer and songwriter released her third album this month. <\/span><i><span style=\"font-weight: 400;\">single): So Blue:(. <\/span><\/i><span style=\"font-weight: 400;\">Follower of <\/span><i><span style=\"font-weight: 400;\">Voice Note<\/span><\/i><span style=\"font-weight: 400;\"> released in December in collaboration with Lucas Cary, this new <\/span><i><span style=\"font-weight: 400;\">track <\/span><\/i><span style=\"font-weight: 400;\">also produced by the musician, continues with the subtle beauty of an atmospheric <\/span><i><span style=\"font-weight: 400;\">dreams<\/span><\/i><span style=\"font-weight: 400;\"> pop and evokes a rainy afternoon where loneliness seems to hit harder. We will have to follow her to find out what else she has in store for this year.\u00a0<\/span><\/p>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"youtube video player\" src=\"https:\/\/www.youtube.com\/embed\/WScu6SgFwDc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-argentina\/\">ARGENTINA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-bolivia\/\">BOLIVIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-brasil\/\">BRAZIL<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-colombia\/\">COLOMBIA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-cuba\/\">CUBA<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-espana\/\">SPAIN<\/a>| <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-mexico\/\">MEXICO<\/a> | <a href=\"https:\/\/magazineampm.com\/en\/panorama-marzo-uruguay\/\">URUGUAY<\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>El Panorama Faro es una secci\u00f3n que se encarga de resaltar los lanzamientos m\u00e1s importantes de Iberoam\u00e9rica y se publica simult\u00e1neamente en todos los medios que integran la alianza, multiplicando as\u00ed su alcance y visibilidad. Cada entrega nos actualiza sobre las luchas en cada uno de nuestros pa\u00edses, actualmente atravesadas por la realidad de la [&hellip;]<\/p>\n","protected":false},"author":1514,"featured_media":10750,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[8172],"tags":[],"coauthors":[8171],"class_list":["post-10685","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-faro"],"acf":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/magazineampm.com\/wp-content\/uploads\/2022\/04\/Uruguay-1.jpg?fit=1816%2C830&ssl=1","_links":{"self":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/10685","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/users\/1514"}],"replies":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/comments?post=10685"}],"version-history":[{"count":4,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/10685\/revisions"}],"predecessor-version":[{"id":10802,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/posts\/10685\/revisions\/10802"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media\/10750"}],"wp:attachment":[{"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/media?parent=10685"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/categories?post=10685"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/tags?post=10685"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/magazineampm.com\/en\/wp-json\/wp\/v2\/coauthors?post=10685"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}